-
overtone singing/throat-singing
- The
- Tuva term for this singing is Höömeï.
- ♦
- Most music sounds are complex, composed of a fundamental note and a
- variety
- of overtones (also known as harmonics or partials). The combination of
- overtones
- affects a sound’s timbre.
-
Höömeï (overall style)
- involves isolating
- and accentuating sung overtones while simultaneously singing a droning
- fundamental note; in effect, it involves singing more than one note at a time.
-
Sygyt
- clear, ringing
- overtones, de-emphasizes fundamental drone of normal voice
-
Höömeï
- ·
- normal voice most clearly audible, with
- ringing overtones audible
-
Kargyraa
- emphasizes deep “subtone” or “undertone”
- (octave below normal voice) w/ringing overtone
-
Doshpuluur
- - plucked lute,
- similar to banjo (Tuva Instrument)
-
Igil
- Tuva
- Instrument. two-stringed fiddle, normally decorated with horse-head carving
- (often called “horsehead
- fiddle”)
-
Kongar-ol Ondar
- Genghis Blues performer
- Pual Pena= blues guy
-
Alash
famous song about nature and growing oats and grains
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