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Electromagnetic energy that can be described in terms of wavelengths
Light
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Distance of one peak to the peak of the next
Wavelength
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Wave height, determines brightness of the stimulus
amplitude
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Wave similarity (purity) or mix, determines
saturation
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Wavelength of light determines
hue
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Multilayered light sensitive surface in the eye that records electromagnetic energy and converts it to neural impulses for processing in the brain
Retina
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receptors in retina that are sensitive to light but not color
Rods
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receptors in the retina that are sensitive to color
cones
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Very important part of retina, tiny area where vision is at its best
fovea
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axons of special ganglion cells, carry visual information to the brain for processing
optic nerve
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Place on the retina containing enither rods nor cones -- where optic nerve leaves the eye on its way to the brain
blind spot
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Point in brain where optic nerve fibers divide and cross midline of the brain
optic chiasm
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Visual pathways through the brain. Processing at the retina, optic nerve carries the data past the optic chiasm, and then to the processing area within the _______ and _____ cortex in the _____ lobe.
Thalamus, visual, occiptal
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Neurons in the brain's visual system that respond to particular features in a stimulus
feature detectors
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Simultaneous distribution of information across different neural pathways
Parallel processing
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Bringing together and integrating what is processed by different pathways or cells
binding
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Theory that color perception is produced by three types of cone receptors in the retina that are particularly sensitive to different but overlappping ranges of wavelengths.
Trichromatic theory
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Theory stating that cells in the visual system respond to red-green and blue-yellow colors. Cells might be excited or inhibited.
Opponent-process theory.
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The principle by which we organize the perceptual field into stimuli that stand out and those that are left over.
Figure-ground.
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School of thought interested in how people naturally organize perceptions according to certain patterns.
Gestalt psychology.
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When we see disconnected or incomplete figures, we fill in the spaces and see them as complete figures.
Closure
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When we see objects near each other, they tend to be seen as a unit
Proximity
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When we see objects similar to each other, they tend to be seen as a unit
Similarity
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The ability to perceive objects three-dimensionally
Depth perception
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Depth cues that depend on the combination of left & right eyes and the way they work together
Binocular cues
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Difference in images "jumping back and forth" because of monocular vision
Disparity
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Binocular cue in depth and distance in which the muscle movements in our two eyes provide information about how deep and or far away something is
Convergence
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Powerful depth cues available from the image in one eye, either the right or left
Monocular cues
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This cue to the depth and distance of objects is based on what we have learned from experience about the standard sizes of objects.
Familiar size
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All other things being equal, objects positioned higher in a picture are seen as farther away
Height in the field of view
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Objects that are farther away take up less space on the retina. So, things that appear smaller are perceived to be farther away
Linear perspective and relative size
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We perceive an object that partially conceals or another object as closer
Overlap
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This cue involves changes in perception due to the position of the light and the position of the viewer
Shading
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Texture becomes denser and finer the farther away it is from the viewer
Texture gradient
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The dumber the animal, the _____ the retina
smarter
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How do humans perceive motion?
Specialized neurons, feedback from our body, and environmental cues
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When we perceive a stationary object as moving
Apparent movement
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Recognition that objects are constant and unchanging even though sensory input about them is changing
Perceptual constancy
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the recognition that an object remains the same size even though the retinal image of the object changes
Size constancy
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The recognition that an object retains the same shape even though its orientation to you changes
Shape constancy
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Recognition that an object remains the same color even though different amounts of lights fall on it
Color constancy
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