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- TRINITY from Boucicaut Heures
- BOUCICAUT MASTER
- -overall pattern, no real setting for figures
- -looks like hanging tapestry
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- VISION of ST. EUSTACE
- 1430
- PISANELLO
- -stag with Christ on cross growing on antlers
- -nice forshortening, almost no horizon (tapestry)
- -great detail, naturalistic detail but not integrated
- -no drama, can't feel experience
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- FALL of MAN from Temptation from Tres Riches
- 1415
- LIMBOURGH BROS
- - Adam and Eve thrown out of Eden, contrapposto figure on left
- -frame=circle=perfect world-> kicked out of circle
- -pose of modesty, shame
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- AUGUST calendar page from Tres Riches
- LIMBOURGH BROS
- -aristocratic past time in foreground, peasants working in background
- -world of pure color(have nothing to do with landscape)
- -Falconing, falconer dressed in working man's attire, contrapposto, looking back
- -man with long pole shown as lower class- in shadow and sunburned
- - falconer mediates between 2 worlds (points out contrast)
-
- JUNE calendar page from Tres Riches
- LIMBOURGH BROS
- -peasants look content
- -brighter colors, rhythm to their work
- -look like puppets of Duke
- -what the experience looks like rather that the emotion of it is
- -community aspect
- -Dukes perspective
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- OCTOBER calendar page form Tres Riches
- LIMBOURGH BROS
- -peasants look miserable, view from their perspective
- -dreary colors, face of anguish
- -aristocrates across the river
- -what the experience is actually like
- -suggestion of breaking the frame
- -division line of river
- -loneliness and isolation of the workers
-
- DECEMBER calendar page from Tres Riches
- LIMBOURGH BROS
- -boar hunt, getting demolished (major aristocratic past time), yet they're not there..
- -underlying brutality of this aristocratic ideal
-
- JANUARY calendar page from Tres Riches
- LIMBOURGH BROS
- -fancy clothes and sophisticated but lacking moral code
- -ideal VS real
- - play on space
- -softer faces
- -aristocrats don't know moderation, feasting month (and fasting)
- -Duke Berry sitting at table, huge halo
- -direct representation of aristocrats
- -hard to tell reality form ideal (tapestry)
- -very crowded area, no space
- -hierarchy, Berry is huge
- -excess of everything
-
- FEBRUARY calendar page form Tres Riches
- LIMBOURGH BROS
- -softer faces
- -scene to make fun of peasants
- -all things necessary
- -one of first real snow scenes in art
- -experience of cold living
- -condensed breath, hands near fire
-
- TEMPTATION of CHRIST Hours of the Years from Tres Riches
- LIMBOURGH BROS
- -christ being tempted by one of Dukes palaces
- -use of space, very cubist, incoherent landscape, perspective
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- VIRGIN and CHILD with ST GEORGE & ANTHONY ABBOT
- 1430
- PISANELLO
- -St. George dressed as Parisian, opposition of Anthony
- -inability to integrate the sacred
- -St Anthony huge and heavy figure
- -madonna and child-> vision in sky, stuck in there to resolve
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- ANNUNCIATION
- 1418
- ROHAN MASTER
- ROHAN HEURES
- -steps outside of conventional, cooler, sharper colors
- -more dramatic/expressive; Esher-like cube backdrop
- -mary enormous, strange perspective, disorienting, not idealized figures
- -Rohan understands perspective to the point where he takes control of it
-
- ANNUNCIATION of the SHEPHERDS from Rohan Hueres
- ROHAN MASTER
- -plays with perspective and proportion
- -huge man, made from earth, weary
- -intentional; experiencial
- -characters not paying attention to sacred
- -KEY character between Medieval world and Renaissance
- -sacred associated with experience
-
- ANNUNCIATION
- BOUCICAUT MASTER
- BOUCICAUT HEURES
- -strong framing
- -not dramatic
- -calm faces
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- VISITATION from Tres Riches
- LIMBOURGH BROS
- 1415
- -raunchy commentaries around frame
-
- VISITATION from Rohan Heures
- ROHAN MASTER
- -International style, elongated figures, patterning
- -moment of shock, dramatic, strange colors
-
- ANNUNCIATION of the SHEPHERDS
- JEANNE DE NAVARRE
- -very decorative, main image is an after thought
- -flat background patten- most vibrant
- -figures around frame more interesting- silly/humorous
-
- LAMENTATION from Rohan Heures
- ROHAN MASTER
- -simply, reduced to the core figures, eye goes straight to figures
- -dramatic and emotional
- -mary reaching for christ with all her weight
- -god has sad, weary expression
- -john the evangelist looks up at god with blame
- -god and christ break frame(too large to experience)
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