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Ritual and Theater
- concerned with "things done"
- empahsis on the concrete
- deal with social relationships
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Theater
confines itself to showing and saying things about social needs
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ritual
reinforces or brings about change
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Theater of Dionysus
- most celebrated of 5th century athens
- built in honor of the fertility god
- open air structure located on slope of hill below Acropolis
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Parodoi
passageways used by acotrs, the chorus and the audience
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Aeschylus
Prometheus Bound, Agamennon, The Eumenidies
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Greek Playwrights
- Sophocles
- euripides
- aristiohanes
- aeschylus
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Medieval Theater
began in churches performed by priests to teach christian doctrine and and encourage good moral behavior
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Fixed Stages
permanent structures
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Movable stages
portable staging
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"The Theater"
- built by James Burbage
- was known as London's first theater
- open air structure
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Globe Theater
- built by Richard Burbage
- showcase for Shakespeares talents as actor and playwright
- most famous of all Elizabethan theaters
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William Shakespeare
- Hamlet, King Lear, Macbeth, Othello
- Elizabethan Theater
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Proscenium Theater
- framing
- arch
- masking the inner workings
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Chinese theater
- classic theater
- the new drama "kunqu"
- the opera or Jingxi
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Classic theater
- zaju
- stories from history, legends, epics and contemporary events
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The opera
- Jingxi
- rigidly controlled conventions of acting, dancing, singing
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Beijing Opera
the heart of the beijing opera is the actor
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Japanese theater
- Noh Theater
- Kabuki
- Bunraku Puppet theater
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Noh Theater
highly stylized, restrained, and austere form of artisitc expression that depends on music and mime
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Noh Stage
- situated int eh corner of a builiding
- divided into two areas:
- butai- stage proper
- hashigakari- the bridge
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Noh Actors
- controlled by tradition
- shite (doer role)- principal actor
- waki (secondary character)- sideman
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Kabuki theater
described as rock entertainment
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Kabuki Stage
- covers entire front of the theater
- hanamichi- ramp known as "flower way"
- combination of old and new procenium thrust stages
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Kabuki Actors
- trained from childhood in singing, dancing, acting
- roles are divided into brave and loyal men, villians, comics, children, and women
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onnagata
males who play women roles
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Bunraku Puppet Theater
- doll puppet theater
- performed on a small procenium stage that is divided into three levels
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Bunraku Characters
- Omo zukai- cheif puppeteer
- hidari zukai- second puppeteer
- ashi zukai- the third puppeteer
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Environmental theater
- jerzy grotowski
- rejects conventional seating and includes audiences as part of the performance
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Jerzy Grotowski
- founder and director of the Polish Laboratory Theater
- essentials: the actor and the audience
- "Akropolis", "Hamlet", "The Constant Prince"
- plays based on world myth and biblical myths
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Akropolis
by Stanislaw Wyspianski
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The Living Theater
encouraged a nonviolent revolution to overhaul society and created a performance style to confront society
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Julian Beck and Judith malina
- the living theater
- wanted to increase conscious awareness and to stress the sacredness of life
- political theater
- "The Connection"
- "The Brig"
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The Living theater on tour
caused controversy and debate over the nature of theater and the role of art in society
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Theatre Du Soleil
- founded in paris by Ariane Mnouchkine
- modeled itself on an egalitarian commune
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Ariane Mnouchkine
- Her
- Founded theater of the sun
- -numerous traditions
- -"les atrites"
- performed a midsummer nights dream and the kitchen
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Peter Schumann
- founded the bread and Pupper theater in New York City
- believed that the theater should be as basic as bread
- puppets and bread
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The Free Southern Theater
- grew out of civil rights movement to address issues of freedom, justice, equality and voting rights
- John O'Neal, Gilbert Moses, and Doris Derby
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Catharsis
a purging of strong emotions
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Bertlot Brecht
- wanted to "distance" Audiences so they would make judgements about social and economic issues of the play
- Alienation effect
- The Caucasion Chalk circle
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Edward Albee
wrote "Who's Afraid of Virginia Woolfe"
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playwrights who also direct their own works
Bertolt Brecht, Samuel Beckett, Edward Albee, Maria Irene Fornes, or David Mamet
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Sam Shepard
true west and buried child
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Conflict
clashing of personal, moral, and social forces
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performability
key to success of the playwroght's story and dialogue
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Playwrights "Bag of tools"
the "soul of the drama"
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Plot and Character
playwrights means of conveying the confusion and mystery of life language is third essential tool
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David Mamet
Glengarry Glen Ross and Oleanna
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Tennesse Williams
- The Glass Menagerie
- Cat on a Hot tin Roof
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August Wilson
- Playwright
- fences
- Joe Turner's Come and Gone
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Aruthur Miller
- the Crucible
- A view from the bridge
- all my sons
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Lorraine Hansberry
A raisin in the sun
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Postmodern Texts
- a moevment in the reaction against the "modern"
- often called for doubling
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doubling
the placing of contradictory experiences within the same frame of reference
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Original Imgae
the photograph
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Reframing
of human experiences celebrates the fragmentation of experience
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Heiner Muller
- German Playwright
- Hamletmachine
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Assemblages
texts are often called assemblages or collages
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Robert Wilson
- Satrter of Post-Modernism
- saw Byrd Hoffman as a child for his stutter
- wanted to make non verbal plays
- The Life and time of Joseph Stalin
- Einstein on the Beach
- The life and time of sigmund freud
- A letter for queen victoria
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Visual Book
visual book opposed to audio book
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Conventions
to convey experience and activity to audiences
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Stage Directions
are included in the beginning of each act to provide information about the playwrights images
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Tennesse Williams
A street car named desire
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Exposition
- what is going on, what has happened in the past and who is to be seen
- ex. Euripides "The Trojan Woman"
- classical exposition--greek plays
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Modern Exposition
for instance begins with the phone ringing and gives the plays background information by talking to an unseen party about the family, its plans and its conflicts
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Plays begin with..
information exchanges of dialouge to establish who, what, when and where
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Point of Attack
- the moment early in the play when the story is taken up
- the inciting incident
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Complication, Crisis, and Climax
- complications- middle of the play where new information or unexpected events occur
- crisis- develops from complications, makes the resolution of the conflict inevitable
- climax- the conflict is resolved
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Resolutions
restores balance and satisfies the audience's expectations
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Simultaneous or double plots
- relate past and present events and behavior
- used by elizabethans to represent life's variety and complexity
- two stories are told concurrently
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Actual time
amount of time it takes for us to see the play
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Dramatic time
- phenomenon of the playwrights text
- can be accelerated and interrupted
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simile
- compares two things using like or as
- literal comparison
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metaphor
make connections between unlike things
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play with in the play
- used by bertlolt brecht, luigi pirandello, peter weiss, tom stoppard, and michael frayn
- Hamelt--> "The Mouse Trap"
- influenced luigi pirandellos "theater triology"
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Luigi Pirandello
- took up writing to support his family
- nobel prize for literature
- life itself is a "sad piece of buffoonery"
- "six Characters in Search of an Author"
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George Steiner
"Drama is language under such high pressure of feelings the words carry a necessary and immediate connotation of gesture
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Drama expresses...
characters thoughts, attitudes, and intentions but also the active prescence of human beings in a living world
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In theater language is...
selected and controlled
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Communication theory
a sign has a direct relationship to the thing it represents
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symbols
differ from signs in that they have an arbitrary connection to their referents
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Monologue
characters extended, uniterrupted speech to others on stage
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Aside
a breif remark by a character spoken directly to the audience
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soliloquy
- a long speech delivered by a character presented directly to the audience
- way to take the audience directly into the characters mind to over hear unspoken thoughts
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Anton Checkov
- Moscow Art Theater
- "The Cherry Orchard"
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In Checkhov's plays
what people do more frequently is more important than what they say
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Gest or Gestic Language
a matter of actor's overall attitude toward what is going on around them and what they are asked to do within the circumstances of the text
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The Caucasian Chalk circle
- Bertlolt Brecht
- uses music and song as well as dialogue to communicate his characters thoughts and feelings
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Antonin Artaud
- French platwright
- theater theorist
- opposed traditional dialogue that furthers plot, reveals character and explores psychological and social problems
- enjoyed shocking the audience
- "Theater of Cruelty"
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Wordsmiths
- David Mamet
- invent lies, sell reassurances, tell stories, and command experience through word alone
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Magical Realism
- Sam Shepard
- take audiences into the inner workings of the modern American family
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Appia and Craig
built theoretical foundations of modern experience of modern expressionistic theatrical practice
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MIng Cho Lee and John Lee Beatty
- John studied with Ming Cho
- design scenery and point of view
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Costumes
all garments and accessories
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Costumes tell us about a character...
the nature, the mood and the style of the play
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Makeup
- enhances the actor and completes the costume
- is classified as straight and character
- straight- highlights actors features
- character- transforms actors features
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Seeing Spaces
What greeks called their theaters
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Stage lighting
a powerful theatrical tool to focus an audiences attention, enhance understanding and give aesthetic pleasure
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Jennifer Tipton
lighting designer
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rule of lighting
visibility and ambience must be inherent to the total theatrical design, including scenery and costumes
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Lighting Designer
- Jules Fisher
- Peggy Eisenhauer
- Tharon Musser
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Gobos
a slide inserted into the gate of a spotlight
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eipc plays
take place over a few year
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climatic plays
- take place over a few days
- cause and effect arrangement
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Episodic Structure
- medieval and modern plays
- trace characters through a journey
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situational structure
- situation is more important than plot
- "waiting for godot"
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Monodrama
play where there is only one person speaking
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saters
followers of dionysus
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2 types of medieval plays
- msytery and morality
- msytery--> based on Jesus Christ
- morality--> based on being a good human being
- - typically has an angel and devil character
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Thrust Stage
a proscenium stage that is built into the audience
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Slyvia
- Of the Forest
- slyvia is holy fair and wise and everyone falls in love with her
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Swayne
Someone who is love sick
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Richard Sheckner
- "The Living Theater"
- tried to recapture realness
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