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Absolute music
instrumental music with no text, story. Abstract-stands for itself
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Baroque
1600-1750
- Elaborate, intense and full of spirit.
- Opera was explored
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Classical
1750-1820
Centered in Vienna. Stressed balance, form, and restraint in music
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Fugue
- polyphonic
- employed by Bach
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Gregorian chant
- Plainchant music. Monophonic.
- Vocal music of the church
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Jazz
1800s-
- Truly "American" music.
- black American musical traditions of folk music, ragtime and the blues.
- strong beat, improv.
- Rhythmic with a swing feel
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Medieval Period
500-1420
secular and sacred music were composed bust mostly sacred survived as monks transcribed the music used for worship in Christian mass
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Madrigal
form which utilizes composed poetry and new music for each verse
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Motet
vocal polyphony for church use
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Nationalism
patriotic infuence, spirit, and flavor within the musical composition
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Orchestral symphony
- large work for orchestra (4 movements)
- first is sonata form
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Passions
Choral. Oratoris based on the Crucifixion of Christ
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Polyphony
two or more lines of melody/distinct thoughts performed together
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Program music
descriptive music which represents ideas, thoughts, and feelings
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Recitative
words and speech set to music. pitches reflect the inflections of the voice
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Renaissance
(1420-1600)
A "rebirth" and revival of humanistic thoughts
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Romantic
(1820-1900)
Employed emotional feelings in music
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Song cycles
Works of music related by content or musical thoughts. Used by Schumann.
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Tone poem
Music which is dramatic and incorporates elements of a poetic nature
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