-
- Robie House
- 1909
- Chicago
- Wright
- elevated windows and low front wall gives privacy
- horizontal element of windows
- organized around chimney
- canti 2nd floor roof
- living room and dining are one continupous space
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- Fagus Shoe Factory
- 1911
- Alfeld an der Leine
- Gropius and Meyer
no corner supports, spatially most advanced
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- Weissenhoff Housing
- 1927
- Stuttgart
- Le Corbusier
33 perm buildings, mies designed plans, all painted white, diff in plan but sim in deisgn
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- Larkin Office Building
- 1904
- Buffalo
- Wright
full height skylit atrium, stairs in towers separate form building, ventilation controlled
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- Lovell House
- 1929
- Los Angeles
- Richard Neutra
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- Neue Nationalgalerie
- 1968
- Berlin
- Ludwig Mies van der Rohe
-
- Einstein Tower
- 1920-1
- Potsdam
- Mendelsohn
- expressionism
- interest ins streamlined forms, stucco over brick
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- Postal Savings Bank
- 1904
- Vienna
- Wagner
- Faced w/ white marble in shingle-like panels
- Panels attached to structure with bolts capped in aluminum
- Caps create ornamental language for the facade
- canopy in aluminum
- light brought in through a glass-vaulted ceiling
- glass brick floor to iluminate the lower level
- Cylindrical aluminum air-supply outlets around perimeter
-
- Steiner House
- 1910
- Vienna
- Loos
- cubic composition
- flat roof, symmetical, modern compared to time period
-
paw.jpg 
- Russian Pavilion
- 1923
- Paris
- Melnikov
constructivism
-
- Bauhaus
- 1925
- Dessau
- Gropius and Meyer
- arrangement of cubes, one juxtaposed against the other
- eye cannot sum the complex in a single view
- ground plan doesn't contract upon itself
- hovering vertical grouping of planes which satisfies the feeling for relational space
- There is extensive transparency that allows the interior and exterior to exist simultaneously (concept of space and time)
- NEUE SACHLICHKEIT
- no "front"
- road and bride reinforce sense of free moving space
-
- German Pavilion
- 1929
- Barcelona
- Ludwig Mies van der Rohe
- rasied on low podium
- stands for quality design, matrerial and craftmanshio
- 8 cruciform columns
- separartion between structure and enclosure but some orthagonal geom
- feeling of sophistacted taste and luxury
-
- Farnsworth House
- 1946-51
- Plano
- Mies van der Rohe
- skin and bone arch, raised off ground,
- light reflection off glass, unobstructed view of landscape
-
- Chapel of Notre Dame du Haut
- 1950-4
- Ronchamp
- Le Corbusier
- didnt use rationalism
- metal frame loks like masonry
- thin piece of glass under roof to "float"
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- Unity Temple
- 1906
- Oak Park
- Wright
considered first modern building
- turned building inward to avoid street noise and from chapel and sunday school
- worship space is cube with balconies
- exterior is poured in place, un touched conrete
- circulations is at corners
-
- Guggenheim Museum
- 1943-59
- New York
- Wright
- .25 mile long qpiral ramp
- outward leaning curving walls was his scorn for modern art
- strong 3d spatial inteior experience
-
- Glass Pavilion
- 1914
- Cologne
- Bruno Taut
concrete base, circular rotunda, glass prism-like and walls
-
- Unite d'Habitation
- 1947-52
- Marseilles
- Le Corbusier
- raised on pilotis
- cross ventilatio possible because on frontage on both sides
- long narrow plans
- elevator stop eery 3 floors, each apartment is 1.5 floors
- each side has exterior balcony
- orginally had shopping center, also has events on top roof
- "Le modular" hieghtof person subdivided using golden ratio
-
- 860 Lake Shore Dr
- 1949-51
- Chicago
- Mies van der Rohe
- first glass and steel highrise, fire proof masonry casing, idea from hsi 20's concepts
- vertically enhanced by skinny ibeams as window mullions
- exterior steel has no structural function
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- Villa Savoie
- 1929
- Poissy
- Le Corbusier
- curving ground floor wall determined by turning raidus of car
- elevatiosn similar, but plana and structure not similar
- horiz windows
-
5 Unbuilt Projects
1921-3
Mies van der Rohe
yup
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- Casa del Fascio
- 1932-6
- Como
- Terragni
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