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Renaissance
- Clarity of Line, mathematical, realistic
- depiction of the world,
- uncluttered arrangements, use of perspective
- Religious Paintings, Portraits were large here
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Mannerist
- Abnormal, content and space
- Unusual color,
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Baroque
- Dynamic movement, spirals, curves, ovals,
- emotional, used illusionism
- Beheading of Judith and Holofarnes
- Caravagio- CHIAROSCURO
- The styles are most evident in architecture
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Rococo
- Pastel, scrolls, filmy, love, pearls, subjects
- involved romantic adventures
- The style in interior design
- A sitting room, Weinsimheim Church
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Neo-Classical
- Bringing back of roman and greek Ideas
- Impacted by Pompeii/Herculinian elements
- Hogarth- Shortly after Marriage
- Focus on Balance and control
- Canova- Sculptor
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Romanticism
- Exotic, fantastic, nationalist, emotion, nature
- Beethoven,
- A LOT of Questions
- READ THE WHOLE CHAPTER
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Impressionism
- Broken color technique
- Monet- water lilies
- Degas- horses, ballerina, everyday life
- Rodin
- Pointillism- Sarrot
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Fauves
- Violence
- Color
- Expressing feelings
- Matisse “red Studio"
- Beasts
- JUST KNOW A GENERAL DEFINTION
-
German Expressoinists
- Brilliant clashing colors
- Distorted forms
- Emotional
- NOLDE- Pentecost, BIBLICAL allusions
- DIE BRUC/ DER BLAUE REITER- SCHOOLS
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Dada
- Reaction to the violence of WWI
- Duchamp- Nude descending a staircase
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Cubists
- Picasso
- Braque
- Threatening Socially, disdain for tradition,
- anarchy,
- Fractured Form, shape,
- Try to show all of the angles all at once,
- Simultaneity of views
- Abstraction-Baraque
- (NOT ABSTRACT EXPRESSIONISM)
- Matisse-THE BACK thing/ The BIRD thing-ESSENTIALIZING
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Futurists
- Progress through Technology
- Championed war
- Severini- Armored Train
- Wanted to Destroy museums
- Leader of this Movement- Italian, Marinetti
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Surrealism
- Freud- huge influence
- Incredibly detailed, dreamlike though
- Dali- the persistence of memory
-
Pop art-
Whorhol, Pollock, Johns,
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Verdi
Italian composer- La Traviata
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Bel canto-
beautiful singing- plot subservient to the music
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Oratorio –
Religious Opera- Messiah
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CAGE
- Experimental, typifies 20th century,
- relies on chance-aleitoric, random happenings
- 433, number one 20th century composer
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Palestrina
Gregorian Chant, Big at Sistine Chapel
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Dubussy
Clair De Lune, Afternoon of the Fawn
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Schernburg
- Flemish composer, Bridge figure for renn.,
- motet and four voices,
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Mozart
- Sonata Allegro,
- Eine Kleinanacht- minuet and trio
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Schubert (Micheal Jackson)
Earl King
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Gabrielle
- O magnum something or rather
- Split choirs
-
Beethoven
- Number one Romantic
- Little Fugue, Sonatna pafatit- Autobiographical
- Wrote for napoleaon
- Classical Tradition
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Wagner
- German folktales- nationalism
- Eliminated bel canto- replaced with total work
- Gesamtkunstwerk
- Eliminated seperation between parts
-
Cassot
- American Women Painter
- Women and children
- Impressionism
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Sazzane
- Geometric shapes, used
- Mountains over and over again
- Braque
- Cubism, Abstraction
-
Riefenstahl
Nazi, “Olympia”
-
Sullivan
- Form follows function- in architecture, form
- should be congruent with function
- Not a previous style
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Degas
Horses, Ballerina, Everyday life
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Eizenstein
- Pointellism, divisionism
- Sunday on the la Grand Jot
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Warhol
Cambell Soup, Marlyn Monroe, McJagger
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Watteau
- ·
- Return from Cytera, Rococo
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Salvador Dali
The Melting Clocks, Persistance of Memory
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Dorothy Lange
- Photography, everday pictures, parts of the
- whold, cut of the tops of peoples heads
-
Morriso
- Mother and Child scenes as well- FRENCH though
- The Bridge, looking into a park 474
-
Hopper
- Nighthawks
- Didn’t go with the trend, lonely scenes of isolated
- people
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Klee (548)
Abstractish , THE fish
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Pollock
- Gestural Abstraction-walked on canvas, flung
- paint
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Severini
- Futurist, armored train, looks happy, glorifies
- war
-
Calder
- Originally and engineer, pieces made out of
- steel, mobiles come out of ceiling
-
Mondrian
- Used Primary colors, lots of squares
- Influenced Calder
-
Johns
Flag, Encaustic Techique, Wax pigmented
-
Moore
- Reclining Figures-Chackmolds
- Influenced by Aztecs
- Art should be outside
-
King Louis the 14th
- Versaille-Hall of mirrors
- Baroque
- The Son King- a lot of light and windows,
- modeled after the son, the floor plan goes from east to west
-
Durer
- Influenced by classical ideals of beauty and the
- perfect proportions
- Etching and Engravings and woodcuts
- Linear perspective
-
Hogarth
- Shortly After Marriage
- Class of his own
-
Bernini
- David, Baroque sculptor, ecstasy of saint
- teressa
-
-
Picasso
- Guernica
- “Les Demoiselles d’Avignon”left hand side of the
- canvas, progression along the canvas
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Montesqui-
Checks and Balances
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-
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Freud
Psychoanalysis, influenced surrealism
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Descarte
- I think therefore I
- am
- Scientific in approach, mathematic focus
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Luther
95 Thesis, Protestant reformation, mad about indulgences
- Reformers- Priesthood,
- focus on word, man is in natural fallen state, saved by grace
-
Humanists
- - counter reformers, could learn enough to save yourself
- Both (them and reformers) wanted to study ancient text, greek,
- criticized corruption of the Catholic church- lack of education
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Copernicus-
- Heliocentric Model
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Montaine
Whacked out essay man
-
Moliere
- Tartuffe, appealed to the king, rhymed, controversial, characters weren’t
- static characters
-
English Romantic Poetry (Wordsworth’s definition of poetry)
the spontaneous overflow of powerful feelings;
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Modernism
Wanted to change society, reform, isolation, Modernist Temper
-
Jazz Music
- African Slaves, Call and response technique,
- field hollering,
- Improvisation
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