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mantra
- Repeated scriptures, prayers, or phonetic formulas
- Enhance one's karma
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Veda
- Unmetered songs of devotion and ritual
- Form the oldest books of the Hindu religion
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raga
- Guidelines for a particular melodic improvisation that includes
- Tuning
- Scales
- Functions of pitches
- Melodic Motives
- Ornamentation
- Extramusical associations (time of day, emotions, etc.)
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Tala
- Rhythmic element of Indian music
- Cycles of beat groups that make up a meter
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bandish/gitam
Precomposed songs or themes for a raga
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guru
Individual music teacher
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gharana
- Particular school of vocal or instrumental performance
- Keep secrets of instruction and composition within a family of musicians
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sitar
- Fretted plucked lute
- Has drones and melody strings
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Ravi Shankar
Indian sitar musician
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sarod
- Fretless plucked lute
- Melody and drone strings
- Slick metal fingerboard and skin covered resonator
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Ali Akbar Khan
Indian sarod musician
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sarangi
Bowed fiddle of North India
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bansuri
Transverse bamboo flute
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bin/vina
- Plucked stick-zither with frets
- Two large gourd resonators
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tambura
- Plucked chordophone used for a drone
- Lute-zither
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harmonium
Hand-pumped reed organ with fixed tuning
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nagasvaram (shahnai)
Loud, conical double reed aerophone
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tabla
- Pair of drums used in North India
- One is tuned to the tonic pitch, and the other has indefinite pitch
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mrdangam
- Single drum with two heads
- Used in South India
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sruti box
A reed organ that substitutes for the tambura
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taraf
Sympathetic strings on Indian chordophones
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sympathetic vibration
Vibration when exposed to pitches played on other strings
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sruti
Microtone in ancient tuning system
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svara
Scale steps in a raga
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semitone
Interval between two adjacent notes in a twelve tone tuning system
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melakarta
All possible seven-note scales that ragas could use
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komal
Lowered tone (flat)
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tivra
Raised tone (sharp)
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suddh
Unaltered tone (natural)
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that
- Thirty two possible scales in Hindustani music
- Developed by Vishnu Narayan Bhatkhande
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arohana/avarohana
Representation of a raga including ascending/descending scale
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chalan
Representation of a raga including characteristic motives while ascending/descending
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vadi
Principal tone in a raga
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samvadi
Secondary principle tone in a raga
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gamak/gamaka
Characteristic ornamentation of a raga
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pakar
Motives associated with ragas
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rasa
A set of specific feelings that art can express
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ragamala
Paintings that depict the mood of a raga
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quantitative accents
Syllables accented by holding them twice as long
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vibhag/anga
Groupings of beats in tala
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tala cycle
Groupings of groupings of beats in tala
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sam
First beat of the cycle
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khali
Deemphasized beat of th cycle
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tali
The first beats of vibhag that are neither sam or khali
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bols
Syllables assigned to different drum strokes
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theka/sokattu
A pattern of bols (syllables)
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alap
Nonpulsatile section that begins a classical Indian performance
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sthai
First half of the alap
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antara
Second half of the alap
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jor
Quasi-pulsatile section of the alap
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jhala
Quasi-pulsatile section of the alap
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scat
Syllables for vocal improvisation
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qawwali
Devotional Islamic songs sung by Sufi mystics
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dhrupad
- Primary musical form associated with Mughal period
- Long vocal performance
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khyal
- Prominent vocal genre in Hindustani concerts
- More ornamented than dhrupad
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thumri
- Light classical Hindustani vocal genre
- Lyrical love songs
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kriti
- Vocal form of South Indian music
- Verse/refrain form
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pallavi
Refrain of kriti music
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caranam
Verse of kriti music
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anupallavi
Contrasting section of kriti music
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ragam-tanam-pallavi
- Long virtuosic vocal form in Southern India
- Free improvisation with little text
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Ninnada Nela
Kriti song by composer Tyagaraja
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cinna melm
Folk ensemble of South India
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Baul music
- Religious sect in Eastern India
- Often a one man band
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khamak
String drum of Baul music
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Filmi
Songs originating in popular films
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Asha Bhosle
Playback singer for Bollywood films
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Dil Cheez Kya Hai
Song from film Umrao Jaan about a girl sold to become a courtesan
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minimalism
A style in which composers experiment with a minimum of means
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