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Cuneiform
- writing on clay mud tablets
- Sumerians in the city of Uruk
- earliest for of writing - 3100 BC
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Uncials
- 2nd century AD - Greece
- develops more rounded writing style, easier to read
- written between guidelines called “uncias” (the Roman inch)
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Xylography
- relief printing from a raised surface
- originated in Asia
- (wood block printing)
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Typography
term for printing with independent, movable, and reusable bits of metal / wood, each of which has a raised letterform on one face
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Block Print
- (wood) block printing, originated in China
- 1st woodblock playing + devotional cards in Europe
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Block Book
- a book made by wood block printing?!
- ex: the German Illustrated Book, ars memorandi
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Johann Gutenberg
- (Mainz, Germany) father of typography
- made the first printing press
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Ligature
2 characters designed to work together as a single unit
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Fust & Schoeffer
- became the most important printing firm in the world (1450's)
- Fust was the businessman
- Schoeffer was the artist / designer, possibly the first typeface designer
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Copperplate Engraving
- started by an unidentified artist called the Master of the Playing Cards - who was linked to Gutenberg by time/place/style
- Drawing is scratched into a smooth metal plate, ink is applied into the depressions, the flat surface is wiped clean, and paper is pressed against the plate to receive the ink image.
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Incunabula
- Latin for “cradle” or “baby linen”
- name for books printed from Gutenberg’s invention of typography until the end of the fifteenth century
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Broadside
- technically, a single leaf of paper printed on one side only
- "broadsheet" is when both sides are printed, however, these terms are often used interchangeably
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William Caxton
- set up a printing press in Bruges
- his translation of “Recuyell of the Histories of Troy” became the first typographic English language book (1475)
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Fleurons
printer’s flowers, cast decorative elements
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Romain du Roi
- typeface of the king; French king Louis XIV (1692)
- has increased contrast between thick and thin strokes, sharp horizontal serifs, and an even balance to each letterform
- Imprimerie Royale was the royal printing office est. 1640
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Transitional (Roman Type)
- the evolution between old style and modern typefaces
- ex: Baskerville
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Rococo
- 1730s - height of Rococo
- (fanciful French art/architecture, floral, intricate, pastels)
- Fourneir le Jeune, copperplate engraving
- ends with the French revolution and it is replaced by Neo-Classicism
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Fournier le Jeune
- Manuel Typographique, 1764 and 1768
- type manual is a masterwork fo rococo design
- his work loses social relevance because he dies before the Revolution
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Bodoni
- Italian son of indigent printer
- runs the official press of Ferdinand, Duke of Parma
- influenced by Fournier, brilliant sharpness and contrast = modern style
- standardization of units was a concept of the emerging industrial era of the machine
- precise, measurable, repeatable forms.
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Modern Type
- the term modern, which defines a new category of roman type, was first used by Fournier le Jeune in his Manuel Typographique to describe the design trends that culminated in Bodoni’s mature work
- condensed letterforms, lighter typographic tone and texture
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Neoclassicism
- Rococo ends with the French revolution and it is replaced by Neo-Classicism
- Giambattista Bodoni, title page from Saggio tipografico (Typographic Essay, 1771) reflects 18th century neo-classical style -- what we will call modern style
- extreme contrast of thick and thin.
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