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Stanislavski is gebore, waar
- 5 Januarie 1863
- Moscow, Rusland
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Stanislavski is oorlede, waar:
- 7 Augustus 1938
- Moscow, Rusland
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Stanislavski se vollename
Konstanin Sergeyevich Alekseyev
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Action
- Actor - always be active - externally / internally
- Can be immobile externally + active psychologically - inner action
- Actions must be justified: purpose and logical
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If
- Magic word: unleashes imagination
- starts actor towards believing - what he is doing
- Stimulates creativeness
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Given Circumstances
- All conditions in which the actor works:
- - the plot
- - environment
- - lighting
- - people
- Actor must become familiar with and a part of his environment
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Concentration of Attention
- Keeps - actor focused:
- helps relax
- direct - audience - where his attention is wanted
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Relaxation of Muscles
- unless tense muscles are relaxed,
- an actors normal mental activity + spiritual life of the character - impossible
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Units and Objectives
Actor has various sequential objectives - role, To help him accomplish these he should have break his presentation into units, each of which helps him accomplish an objective
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Feeling of Truth and Belief:
- If actor, while carrying out an action,
- uses logical consecutiveness,
- justifies everything with "if",
- thinks of given circumstances
- - will not overact - his action will be truthful
- - will believe in what he is doing - doing it as in real life
- "To find truth, actor must see, watch, absorb all possible impressions around him. He must learn to be aware of what surrounds him."
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Emotional Memory
Stimulation of actors emotions through - recall of experienced emotions
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Communication
- Actor - hear, see, understand - being said to him on stage
- Should be sure others hear, see and understand what he is saying.
- If actor communicates consciously he will be carried away merge with the character he is playing
- Actors must communicate with one another - basis of living relationships between people, not by means of memorized behavior (formally and artificially)
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Adaptation
Actors must adjust to one another ons stage + must creatively adapt himself to inspiration or unexpected changes
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Tempo-Rhythm
- Tempo and rhythm inside and outside us
- When actor seeks justified tempo-rhythm for what he is doing - directly approaching his emotions which will respond
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Motive Forces of Psychological Life
Mind, Will, and emotions - forces - with which actor performs + creates
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Unbroken line of a Role
- Actor should create - complete image of character he is playing using
- - surroundings
- - Author
- - Play
- - Imagination
- so that he can see the world through the eyes of the character
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Actor's Inner State:
- Because of fear: "faculties which functions naturally in life - often paralyzed on stage
- To be able - create - truthful character, actor mus revive all faculties - means he must be in normal functioning state.
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Super-Objective and Through-Line of Action
- Carry across the main idea - overriding objective of actors
- Action, aspects of the performance must be continuously oriented to accomplish this
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Die tower as
- Akteur moet vra - Hoe sou ek reageer
- Hy verander so die denkbeeldige wereld -> werklikheid
- Akteur moet 'n baie aktiewe verbeelding he
- Akteur - deurentyd fokus en konsentreer - wat op die verhoog gebeur
- Moet leer om sy spiere te ontspan
- Klein gemotiveerde fisiese aksie - NB
- Akteur moet oortuig wees van klein beweging - spontaan doen
- akteur moet insidente, smake, geure, situasies ontgin
- Goeie kommunikasie tussen akteurs kan gebeur as die akteurs aktief sintuie inspan
- Akteur moet intellektueel in staat wees - teks te verstaan
- Moet met oefening, wil en toewyding - karakter aanhoudend ontwikkel
- Moet genoeg emosie in die rol inwerk - oortuigend en eerlik
- Moet die rol 100% verstaan + homself daarvan gewis
- Hy leef, huil en lag op verhoog - terwyl hy die aksie doen, moet hy self waarneem hoe hy huil, lag en leef
- Bemin die kuns in jouself - nie jouself in die kunste.
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