-
a large-scale musical work for solo voices, chorus, and orchestra based on a biblical story and performed in a church or hall without scenery, costumes, or acting.
oratorio
-
a three part A-B-A' form and the composer usually did not write out the third part, since it duplicated the first.
da capo aria
-
a work for one or more solo vocalists with instrumental accompaniment (chorus was later added to the genre).
cantata
-
a recurring hymn tune
chorale
-
a concerto for solo instrument and an accompanying instrumental group
solo concerto
-
based on the opposition between a small group of instruments, the concertino, and a larger group, the tutti, or ripeno.
concerto grosso
-
small group of instruments
concertino
-
large group of instruments
ripieno (the tutti)
-
refrain that returns again and again (representing the general mood of spring) in alternation with the episodes, which often feature the solo violin.
ritornello
-
German, in quadruple meter at a moderate tempo
allemande
-
French, triple meter at a moderate tempo
courante
-
Spanish, a stately dance in triple meter
sarabande
-
optional dances
minuet and hornpipe
-
English, in a lively 6/8 or 6/4
jig
-
had plucked strings and its tone could not be sustained
harpsichord
-
a contrapuntal composition in which a single theme pervades the entire fabric, entering in one voice and then another.
fugue
-
main theme of the fugue stated alone at the beginning in one of the voices
subject
-
imitated in another voice while the first often continues with a countertheme
answer
-
the first section of the fugue
exposition
-
longer time values, often twice as slow as the original
augmentation
-
shorter time values that are faster than the original
diminution
-
pitches started backwards
retrograde
-
pitches turned upside down, moving by the same intervals but in the opposite direction
inversion
-
a movement that establishes a home key, then moves to another key, and ultimately returns to the home key.
sonata form
-
opening section of sonata form
expostion
-
conflict and action and the essence of drama in sonata form
development
-
the restatement is the psychological climax of sonata form
recapitulation
-
an extension of the closing idea that leads us to the final cadence in the home key in sonata form
coda
-
the theme is clearly stated at the outset and serves as the point of departure in this form
theme and variations form
-
solo player embellishes a popular tone with a series of decorative flourishes.
melodic variation
-
the chords that accompany a melody are replaces by others, perhaps shifting from major to minor mode
harmonic variation
-
note lengths, meter, or tempo can be changed
rhythmic variation
-
form based on the recurrence of a musical idea in alternation with contrasting episodes
sonata-rondo form
-
two violins, a viola and a cello
string quartet
-
one of the principal instrumental genres of the classical era set in the standard four movement structure
symphony
-
how many movements does the classical concerto have?
three.
-
a fanciful solo passage in the manner of an improvisation that, toward the end, interrupts the movement
cadenza
-
piano solo of for two instruments, an important genre for amateurs in the home, as well as for composers performing their own music at concerts
classical sonata
-
"serious" or tragic Italian opera, a highly formalized genre inherited from the Baroque consisting mainly of recitatives and arias specifically designed to display the virtuosity of star singers to the aristocracy
opera seria
-
genre of Handel, Water Music, Suite in D major
dance suite
-
Who wrote the chorale tune Bach, Cantata No. 80 A Might Fortress Is Our God is based on?
Martin Luther
-
What is Bach, Cantata No. 80 A Might Fortress Is Our God's genre?
cantata?
-
Mozart, Eine kleine Nachtmusik genre? & form of the 1st movement?
idk and sanata form
-
Haydn, Symphony No. 94 (Surprise) form of the 2nd movement?
theme and variation
-
Beethoven, Piano Sonata in C# minor (Moonlight) form of the 1st movement?
sonata form
|
|