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- Boulevard du Temple
- Daguerre - 1838
- -took less exposure time
- -of scene static and not moving
- -Daguerreotype - photographed places in the city - first camera
- -Anyone able to use a daguerreotype - artistic talent?
- - Time of the Daguerreotype craze
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- Pictures from "The Pencil of NatureTalbot - 1844
- -calotype
- -paper photography
-camera obscura
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- Woman, Seated, Holding DaguerreotypeAnonymous - 1850
- -collodion - allowing exposure time from being half and hour to 2-3 seconds - new horizons for photography
- -Prices then dropped - weeks wages then brought it down to about a days wages - more affordable option
- -exposure time being reduced - photography of people
- Carte de Visite - people looking more modern and natural as themselves - photographs taken of themselves in their Sunday best, possibly with photographs of family to incorporate them all, pose with them as a family photograph
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- Dead Communards of ParisAnonymous -1871
- -photographs were able to capture in images the stuff in society that no one wanted to talk about
- -civil war, full scale of destruction of people being killed, hard to understand how bad it was till images came along
-photograph has proof and power to project what is actually happening - evidence
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- Lady of ShalottHenry Peach Robinson -1861
- -connecting the photograph to poetry
- -Photography developed mostly in England, as opposed to France
- -quality of realism
- -Set up photography in a provocative way
- -Critics realized that they were looking at a picture not a photograph
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- Paris from a BalloonNadar - 1868
- -series of photographs taken from a balloon
- -First documented person to take aerial photographs
- -Nadar promoted the impressionists
- -Nadar opened up studio for impressionists
- -His work inspired impressionists
- -Impressionists would use the cut off frame like photographers...radical movement...influence of photography
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- Onion FieldGeorge Davison - 1890
- -impressionistic photography
- -influenced photographic style - attempting to take photography to another place, adding stylized element, a picture that is mediated through and impressionistic view
- -first influenced by natural/natural photography
- -no outline, softened edges, effect of painted surface, playing with content- manipulated in process of development
- -object of controversy in photographic style
- -linked ring - created an association of Bristish photographers that promoted the first photographic style - pictorialism
- - classified as highest form of art that photography is capable of
- -first movement of photographic art
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- Self-Portrait with Brush and Palette, ParisEdward Steichen - 1903
- - member of the linked ring
- -played around with layering affect with negative
- -by the time, could have been mistaken for a painting
- -used painterly effect to create works
- LINKED RING - more modern, avant gard in the Americas
- -broke away from traditional art making
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- The SteerageAlfred Stieglitz - 1907
- -picture that stands out/alone
- -showing the modern
- -immigration - what's more modern than that
- -technology of people moving
- -the city developing
- -sharply focused photographs not retouched, in black and white, not manipulated
- -photography gives us a flat image
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- Radio Tower BerlinLaszlo Moholy-Nagy - 1928
- -"new vision"
- -main focus on photography
- -could catch whole world that the eye could not
- -photographers that would make you see the world differently
- -birds eye view, abstract picture
- -elaborate machines, casting light on them to create elaborate shadows in different ways to trick the eye
- -camera's ability to capture it
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- Cabbage LeafEdward Weston - 1931
- -focused on form
- -how two images can resemble one image
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- Articles of ChinaHenry Fox Talbot - 1844
- -allen sekhula brought this image too
- -photographing what he owned
- -insurance claims
- -statement providing legal evidence of possession of objects
- -photography provides actual evidence, tells us something about the real world
- -documentary photographs
- -subject behind the camera has an equally important role to play
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- Front and Profile Views of a Malayan MaleJ.H. Lamprey - 1868-69
- -grid in the background
- -system to photograph scientifically
- -studied, and tried to draw conclusion
- -early anthropology
- used studies to justify stereotypes
- -social darwinism
- -study people based on appearance
Germany people began to measure noses- Scientific Racism in WW1 WW2
- Characterizing people with how they looked what their type was
- -Racial nature of photography
- -Highly subjective
- -Stereotypes are not scientific
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- How the other half livesJacob Riis - 1888
- -describes a kind of label
- -you are bringing attention to the problem but also creating a stereotype
- -Growing passion fatigue-so used to same images therefore no longer compassion - stop being looked at - becomes a kind of image to look at
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- Mechanic Working on Steam PumpLewis Hine - 1920
- -Formal and visual quality of something
- -Aesthetics of an image
- -beautiful shapes
- -modern
- -mans body moves into the shapes
- -not thinking of social reform, or how he has to go home and feed his children
- -not compelling on compassion
- -aesthetic image
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- ProstituteEugene Atget - 1920
- -prostitute seen as a modern figure and of the social climb
- -who says what it is after the fact
- -simply makes documents
- -street photographer
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- Migrant MotherDorothea Lange -1936
- -"the Mother"
- -the picture children of depression
- -looking away from children, looks tired and fatigue - though pensive and determined
- -husband and family
- -image becomes a universal image of suffering -personal story becomes used as a universal problem
- -image now seen everywhere
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- The Bowery in Two Inadequate DescriptionsMartha Rosler -1974-75
- -Looking at other photographs and challenged the sentimentalism/ compassionate looked
- -created photographs that talked about the inadequacy of photographs
- -Talked about how neither told you about the reality of the Bowery
- -Art photography
- -Absense of people was more powerful than their presence
- -By seeing a picture of something - you think you understand - but you don't
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- Flag Raising on Iwo JimaJoe Rosenthal - 1945
- -photograph shows entire story on one picture
- -Stand in for the story for the history - stands in
- -important- used on stamps, important
- -entirely posed image
- -propaganda photograph
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- Iraqi SoldeirKen Jarecke -1991
- -image never leaked
- -expression at the moment
- -american attack
- -remains of Iraqi soldier with last expression on his face
- -picture was removed from wire, never shown in North America
Tension between objectivity and subjectivity in documentary photography
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