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Wright, Dana House, 1904. Springfield, IL
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Wright, Robie House, 1909. Chicago.
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McKim, Mead, and White, Pennsylvania Station, 1905-10. New York City.Demolished 1966.
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Maybeck, Palace of Fine Arts, 1915. San Francisco
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Maybeck, Principia College campus, 1930s, Elsah, Illinois
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Loos, Steiner House, 1910. Vienna, Austria. Front view
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Loos, Villa Müller, 1929-30. Prague, Czech Republic
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Erich Mendelsohn, Einstein Tower, 1920-21. Potsdam, Germany.
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Brancusi, Bird sculptures, 1919-26
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Brancusi, Endless Column, Târgu Jiu Park, Romania, 1938
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Chagall: Homage to Apollinaire, 1912
Temptation, 1912. St. Louis Art Museum
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Chagall, Paris Through the Window, 1913
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Giacomo Balla, Abstract Speed+ Sound, 1913-14
Umberto Boccioni, The City Rises, 1910
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Balla, Street Lamp (Study of Light), 1909
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Boccioni, Riot in the Galleria, 1910
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Carrà, The Galleria in Milan, 1912
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Balla, Dynamism of a Dog on a Leash, 1912
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Carlo Carrà, Patriotic Celebration,1914, collage
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Severini, Dynamic Hieroglyph of the Bal Tabarin,1912
Severini, Dynamism of Forms,1912
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Boccioni, Unique Forms of Continuityin Space, 1913, bronze
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Larionov, Rayonist Composition, 1913
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Popova, Subject from a Dyer’s Shop, 1914
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Malevich, Morning in the Village after a Snowstorm, 1912
Malevich, Woman before an Advertise-ment Column, 1914
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Malevich, Suprematist Painting (Eight RedRectangles), 1915
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Malevich, Suprematist Composition:White Square on White, 1918
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Tatlin, Corner Relief (Counter Relief), 1915
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Gabo, Column, 1923, plastic, metal, wood
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Rodchenko, Hanging Construction, 1921
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Rodchenko photograph, mid 1920s
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Rodchenko painting, mid 1920s
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Rodchenko poster, 1924. “Books, please—in all branches of knowledge!”
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Gino Severini, Artillery Train, 1915
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Prosthetics made for soldiers woundedin the Great War, 1914-1918
Raoul Hausmann, The Spirit of ourAge, 1920: German Dada in responseto the War
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Hugo Ball, Karawane, performedat the Cabaret Voltaire, Zürich,1917: man as comic mechanism
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Arp, Collage Arranged Accordingto the Laws of Chance, 1916-17
Taueber, Free Rhythms, 1919
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Duchamp, Nude Descending a Staircase,No. 2, 1912
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Etienne-Jules Marey,Human Locomotion,chronophotograph, 1883
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Duchamp, Chocolate Grinder, No. 1, 1913
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Duchamp, Fountain, 1917
Bicycle Wheel, 1913. Replica of lost “original.”
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Man Ray, Gift, 1921
Picabia, Portrait of Stieglitz, 1915
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Höch, Cut with the Kitchen Knife DadaThrough the Last Weimar Beer BellyCultural Epoch of Germany, 1919-20.Photomontage
Höch, Beautiful Girl, 1920
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Schwitters: Picture with Light Center, 1919
Merzbild 25A, 1920
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Schwitters, Hanover Merzbau, begunc. 1920. Destroyed by the Nazis mid-1930s
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Heartfield: Don’t Be Afraid—He’s aVegetarian, 1934
Heartfield, Little German Christmas Tree,1934
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Beckmann, Self-Portrait in Tuxedo, 1927
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Beckmann, The Departure, 1932-33
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Beckmann, Acrobats, 1939. Saint Louis Art Museum.
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Modigliani, Chaim Soutine, 1916
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Soutine, Gnarled Trees, c. 1920
Van Gogh, Tree Roots and Trunks, 1890
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Soutine, Carcass of Beef, c. 1925
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Matisse, Bathers with a Turtle, 1908 and Decorative Figure, 1908, both SLAM
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Matisse, The Piano Lesson, 1916
Matisse, The Music Lesson, 1917
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Matisse, Decorative Figure on an Ornamental Background, 1926
Matisse, Large Reclining Nude (Pink Nude),1935
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Matisse, Dance, 1931-32, Barnes Foundation, Philadelphia
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Picasso, Three Musicians, 1921
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Braque, Café-Bar, 1919
Braque, The Blue Mandolin, 1930, SLAM
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Picasso, Still Life with Plaster Head, 1925
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Le Corbusier (Charles-Edouard Jeanneret), Still Life, 1920
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Picasso, The Architect’s Table, 1912
Ozenfant, Glasses and Bottles, 1921
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Mondrian, Flowering Apple Tree, 1912
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Mondrian, Gray Tree, 1911
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Mondrian, Tableau no. 2, 1913
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Mondrian, Ocean 5, 1915
Mondrian, Composition in Black and White: Pier and Ocean, 1915
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Mondrian, Composition in Color A, 1917
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Mondrian, Composition with Red, Yellow, Blue and Black, 1921
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Mondrian, Composition, 1921. Reworked as Tableau no. 2, 1921-25
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Piet Mondrian, Composition with Red, Blue, and Yellow, 1930
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Van Doesburg, ceiling design for Café Aubette, 1926 Strasbourg
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Oud, Workers Housing Estate, 1924-27, Hook of Holland
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Rietveld, Schröder House, 1924, Utrecht, Holland
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Rietveld, Red and Blue Chair, 1917
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Walter Gropius, Bauhaus, Dessau, Germany, 1925-26
Herbert Bayer, Bauhaus Dessau, cover of publicity brochure, 1927
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Gropius and Meyer,Fagus Shoe Factory,begun 1911;later additions 1925
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Entry by Walter Gropius and Adolf Meyerinto the competition for the ChicagoTribune Tower, 192
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Paul Renner, Futura typeface, 1927
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Josef Albers, City, 1928. Colored glass
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Anni Albers, Wall Hanging, 1926. Wool tapestry.
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Gunta Stölzl, Tapestry, 1922-23
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Marianne Brandt, teapot and tea service made at the Bauhaus, c. 1927
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Breuer, armchair, model B3, 1928
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Moholy-Nagy, Untitled (view looking down from the radio tower,Berlin), c. 1928
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Moholy-Nagy, Photogram, mid 1920s
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Klee, Around the Fish, 1926
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Klee, Individualized Altimetry of Stripes, 1930
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Kandinsky, Composition VIII, 1923
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Gabo, Linear Construction in Space, no. 1, early 1940s
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Le Corbusier, Villa Savoye, 1928-30, Poissy, France
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Mies, German Pavilion for InternationalExhibition, Barcelona, 1929
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Wright, Edgar Kaufmann house (Fallingwater), 1934-37. Bear Run, PA
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Joseph Albers, Homage to the Square: Apparition, 1959
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Henri Rousseau, The Dream, 1910
Giorgio de Chirico, The Soothsayer’s Recompense, 1913
Marc Chagall, I and the Village, 1911
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Masson, Battle of Fishes, 1926
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Max Ernst, Two Children are ThreatenedBy a Nightingale, 1924
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Ernst, The Eye of Silence, 1943-44. Kemper Art Museum.
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Arp, Head with Annoying Objects, 1930
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Arp, Human Concretion, 1935
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Joan Miro, Harlequin’s Carnival, 1924-25
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Meret Oppenheim, Object (Luncheon in Fur), 1936
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Tanguy, Mama, Papa is Wounded! 1927
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Dali, Persistence of Memory, 1931
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Dali, Soft Construction with Boiled Beans (Premonition of Civil War), 1936
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Magritte, The Treachery of Images, 1928-29
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Magritte, The Phantom Landscape, 1928-29
The Human Condition I, 1934
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Giacometti, Woman with her Throat Cut, 1932
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Giacometti, The Palace at 4 a.m., 1932-33
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Man Ray, Observatory Time—The Lovers,1936. Photomontage.
Man Ray, Fingers, 1930. Solarizedphotograph.
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Dora Maar, Père Ubu, 1936
Maar, Untitled, 1934
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René Magritte, Je ne voie . . ., 1929Published in La Révolution Surréaliste, 1929
Magritte, The Rape, 1934
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Balthus, The Guitar Lesson, 1934
Hans Bellmer, The Doll, 1934-1940s
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Dalí, The Phenomenon of Ecstasy, 1933. Photomontage
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Germaine Berton with Surrealists,photomontage published in La RévolutionSurréaliste, no. 1, Dec. 1924
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Claude Cahun and Marcel Moore, photographs, 1930s
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Leonora Carrington, Portrait of Max Ernst, 1939
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Carrington, Self-Portrait, 1936-37
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Tanning, Eine Kleine Nachtmusik, 1946
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Henri, Laughing Child, 1907
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Riis, Five Cents a Spot, c. 1889, from Riis’sbook How the Other Half Lives, 1890
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Hine, Girl in Carolina Cotton Mill, 1908
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Sloan, Hairdresser’s Window, 1907
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Weber, Rush Hour, New York, 1915
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Weber, Chinese Restaurant, 1915
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Marin, Lower Manhattan (Composition Derived from theTop of the Woolworth Building), 1922
Cass Gilbert, WoolworthBuilding, New York, completed1913
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artley, The Iron Cross, 1915, Kemper Art Museum
Hartley, Portrait of a German Officer,1914
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Dove, Nature Symbolized, no. 2, 1910-11
Dove, Abstraction No. 6, 1910-11
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O’Keeffe, Music—Pink and Blue II, 1919
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O’Keeffe, Radiator Building—Night,New York, 1927
O’Keeffe, Cow’s Skull with CalicoRoses, 1931
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Demuth, My Egypt, 1927
Demuth, The Figure 5 in Gold, 1928
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Sheeler, Church Street El, 1920
Sheeler, Classic Landscape, 1931
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Palmer Hayden, The Janitor Who Paints, 1931
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Bearden, Folk Musicians, 1941-42
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Lawrence, The Migrationof the Negro Series,1940-41
Panel no. 1: “During WorldWar I there was a greatmigration north by SouthernNegroes.”
Panel no. 10: “They werevery poor.”
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Hopper, Approaching a City, 1946
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Hopper, Chop Suey, 1929
Bishop, Two Girls, 1935
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Benton, City Building, from America Today, 1930
Wood, American Gothic, 1930
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Benton, A Social History of Missouri, 1934-36, House of RepresentativesLounge, Missouri State Capitol, Jefferson City
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Kahlo, Self-Portrait on the Border Between Mexico and theUnited States, 1932
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Kahlo, Self-Portrait with Thorns, 1940
Kahlo, Diego and I, 1949
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Rivera, Detroit Industry, 1932, Detroit Institute of Arts
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Rivera, Man, Controller of the Universe,1931 (New York), 1934 (Mexico City)
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Picasso, Girl Before a Mirror, 1932. Collection of theMuseum of Modern Art, New York
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Picasso, Guernica, 1937. In New York, at MoMA, from 1938-1981
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Mondrian, Broadway Boogie Woogie, 1942-43
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Gorky, The Liver is the Cock’s Comb, 1944
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De Kooning, Pink Angels, c. 1945
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Willem de Kooning, Excavation, 1950
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Willem de Kooning, Woman I, 1950-52
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Krasner, Untitled (Little Image), 1949
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Pollock, Going West, 1934
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Pollock, Mural, 1943, a commission from the collector and art dealer PeggyGuggenheim
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Pollock, Lavender Mist, 1950
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Lewis, The Yellow Hat, 1936
Pollock, Cotton Pickers, c. 1935
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Lewis, Twilight Sounds, 1947. Saint Louis Art Museum.
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Lewis, Tenement II, 1950. 30 in. x 50 in.
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Picasso, The Charnel House, 1944-45
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Moore, Study for Tube Shelter Perspective, 1940-41
Grey Tube Shelter, 1940
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Giacometti: Head of a Man on a Rod, 1947; The Nose, 1947
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Giacometti, The Plaza, 1948
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Bacon, Painting, 1946
Bacon, Head VI, 1949
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Fautrier, Head of a Hostage, 1944
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Sutherland, Crucifixion, 1946
Sutherland, Thorn Head, 1947
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Manzù, Doors of Death: Death byViolence, 1952-64. St. Peter’s, Vatican.
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Richier, Praying Mantis, 1949
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Richier, Storm Man (left) and Hurricane Woman (right), 1948-49
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Burri, Composition, 1953
Burri, Sack, 1953
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Fontana, Spatial Concept, 1955
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Mathieu, Painting, 1953. 6 ½ ft x 10 ft
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Pollock, Autumn Rhythm, 1950, 8’9” x 17’3”
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Hartung, Composition, 1949
Soulages, Painting, 1953
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Dubuffet, Corps de Dame, 1950
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Dubuffet, View of Paris: The Life of Pleasure, 1944
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Dubuffet, The Exemplary Life of the Soil (from the Texturology series), 1958
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Klein, Blue Monochrome, 1960
Blue Monochrome, 1961
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Yves Klein, Le Vide (The Void), 1958 at Galerie Iris Clert, Paris
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Klein, Anthropometries of the Blue Period, 1960, performance
Klein, Anthropometries, 1960
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Klein, Leap into the Void, 1960
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Tinguely, Meta-Matic no. 6, 1959
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Tinguely, Homage to New York, 1960, installation in the Sculpture Garden at theMuseum of Modern Art, New York
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Saint-Phalle, Shooting Picture, 1961
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Saint-Phalle with Jean Tinguely and Per Ultvedt, SHE—A Cathedral, 1966
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Christo, Dockside Packages, 1961, Cologne Harbor
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Christo and Jean-Claude, Wrapped Museum of Contemporary Art,Chicago, 1969
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Christo and Jeanne-Claude, The Gates, 2005, Central Park, New York
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Manzoni, Living Sculpture, 1961 Manzoni, Pedestal of the World, 1961
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Manzoni, Artist’s Shit, 1961
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amilton, Just what is it that makes today’shomes so different, so appealing? 1956. Collage.
Blake, On the Balcony, 1955-57
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Hockney, A Bigger Splash, 1966
Hockney, We Two Boys Together Clinging, 1961
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Rauschenberg, White Painting, 1951-3
John Cage, Score for 4’33, 1951
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Johns, Flag -> Three Flags, 1955
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Johns, Target with Plaster Casts, 1955
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Johns, Painting with Two Balls, 1960
Painted Bronze, 1960
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Rauschenberg, Bed, 1955 (left) and Monogram, 1959(above). Combine pantings.
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Rauschenberg, Choke, 1964. Kemper Art Museum.
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Kaprow, Household, 1964 (below),Yard, 1961 (right), Happenings.
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Oldenburg, The Store, 1961
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Oldenburg, Giant Floor Hamburger, 1962
Giant Soft Fan, 1966-67
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Lichtenstein, Whaam! 1963
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Lichtenstein, Masterpiece, 1962
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Lichtenstein, Big Painting, 1965
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Warhol, 210 Coca-Cola Bottles, 1962
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Warhol, 200 Campbell’s Soup Cans, 1962
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Warhol, installation of32 Campbell’s SoupCans at Ferus Gallery,Los Angeles, 1962
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Warhol, Marilyn Diptych, 1962
Warhol, Gold Marilyn, 1962
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Warhol, Orange Car Crash and GreenCar Crash, 1963 from Death andDisaster Series
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Rosenquist, Marilyn Monroe, 1962
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Rosenquist, F-111, 1965. Detail below; entire painting above
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Indiana, LOVE imagery,beginning 1964
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Oldenburg & Coosje van Bruggen Batcolumn, 1977. Chicago
Spoonbridge and Cherry, 1985-1988. Minneapolis,Walker Art Museum sculpture garden
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Marisol, The Family, 1962
Marisol, Love, 1962 Warhol, 210 Coca-Cola Bottles, 1962
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Frankenthaler, Mountains and Sea, 1952
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Frankenthaler, Interior Landscape, 1964
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Kelly, Orange and Green, 1966
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Noland, Sarah’s Reach, 1964
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Kosuth, One and Three Chairs, 1965
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Morris, installation of untitled sculptures at Green Gallery, New York, 1964
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Morris, Untitled (Mirrored Cubes), 1965
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Morris, Box with the Sound of its own Making, 1961, wood,tape recorder
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Nauman, From Hand to Mouth, 1967
Neon Templates Taken from my Bodyat 10-Inch Intervals, 1966
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Nauman, Video Corridor, 1970
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Serra, To Lift, 1967, vulcanized rubber
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Serra, Prop Piece, 1968, lead
One Ton Prop (House of Cards), 1969, steel
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Serra, Splashing, 1969, lead
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Kelly, White Plaque:Bridge Arch and Reflection,1955
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Kelly, Blue Black,2001. PulitzerArts Foundation
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Bridget Riley, Movement in Squares, 1961
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Victor Vasarely, Vega Per, 1969
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Wright, Guggenheim Museum, 1957-59, New York City
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Wright, Price CompanyTower, 1952-56,Bartlesville, OK
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Minoru Yamasaki, Pruitt-Igoe housing project, St. Louis, 1954-1972
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Le Corbusier, Notre-Dame-du-Haut, 1950-54, Ronchamp, France
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Mies van der Rohe, Crown Hall, Illinois Institute of Technology, Chicago, 1950-56
-
Skidmore, Owings,and Merrill, Lever House,1951-52, New York City
-
Mies and Philip Johnson, Seagram Building, New York, completed 1958
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Philip Johnson, Glass House, 1949, New Canaan, CT
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Charles and Ray Eames, Eames House, 1949, Santa Monica, CA
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Eero Saarinen, Jefferson National Expansion Memorial (Gateway Arch), St. Louis,1948; completed 1964
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Eero Saarinen, TWA Terminal, Kennedy Airport, New York, 1956-62
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Hellmuth, Yamasaki and Leinweber, Lambert-St. Louis Airport Terminal, 1952-55
-
Jorn Utzon, Sydney Opera House, 1972, Sydney, Australia
-
Eero Saarinen, Ingalls Skating Rink, New Haven, CT, 1953-58
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Pier Luigi Nervi, Sports Pallace, 1956-57, Rome, Italy
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Richard Rogers and Renzo Piano, Centre Georges Pompidou, Paris, 1971-78
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Paolo Soleri, Arcosanti, begun 1970 and ongoing. Scottsdale, AZ
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Stella, Die Fahne Hoch!, 1959
-
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Andre, 37 Pieces of Work, 1969
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Daniel Buren, Untitled, 1973. Installation in NYC.
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Beuys, How to Explain Pictures to a Dead Hare, 1965
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Beuys, I Like America and America Likes Me, 1974
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Ono, Cut Piece, performed in Tokyo, 1964; in New York, 1965
-
Eleanor Antin, Carving: A Traditional Sculpture, 1972
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Schneemann, Meat Joy, 1964
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Schneemann, Interior Scroll, 1975
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Feminist Arts Program, Womanhouse: Nurturant Kitchen, 1971
-
The Dinner Party is an installation artwork by feminist artist Judy Chicago
1974–1979
-
OBAC (Organization of Black American Culture), Wall of Respect, 1967, Chicago
-
Wadsworth Jarrell, Revolutionary, 1971
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Judy Baca and collaborators, Great Wall of Los Angeles, 1976-83
-
Ringgold, Who’s Afraid of Aunt Jemima? 1983. Piecework quilt
-
Hammons, Higher Goals, 1982
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Hammons, How Ya Like Me Now?, 1988
-
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Piper, Calling Card, 1986
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Wilson, Mining the Museum, 1992. Installation at the Maryland Historical Society.
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Morris performing in Site (with Carolee Schneeman), 1964
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Benglis’s response to Morris inan advertisement in Artforum, Nov. 1974
-
Benglis, poured piece, 1973-74, polystyrene foam
-
Benglis, Now, 1973, video
-
Jackie Winsor: Bound Grid, 1972
Four Corners, 1972, both wood and hemp
-
Judd, Untitled, 1969. Saint Louis Art Museum
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Hesse, Accession II, 1968
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Hesse, Metronomic Irregularity, 1966
-
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Hesse, Repetition 19, 1968
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Sam Gilliam, Carousel State, 1969
-
Robert Smithson, Spiral Jetty, 1969-70, 1500 ft. long. Great Salt Lake in northwest Utah
-
Michael Heizer, Double Negative, 1969-70. Mormon Mesa, Overton, NV
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Nancy Holt, Sun Tunnels, 1976, Box Elder County, northwest Utah
-
Christo and Jean-Claude, Running Fence, 1972-76. Marin and Sonoma Counties, CA
-
De Maria, Lightning Field, 1970-77
-
Andy Goldsworthy, ice sculptures, mid 1990s
-
Goldsworth, Rowan Leaves and Hole, mid 1990s
-
James Turrell, Afrum, 1967
-
- Site of Turrell’s Roden Crater, near Flagstaff
- Turrell, Roden Crater, 1985-ongoing
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Warhol, Retrospective Painting, 1979
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David Salle, His Brain, 1984
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Koons, NewShelton Wet-DryTriple Decker, 1991
-
Koons, billboard for Made in Heaven, 1991
Bourgeois Bust—Jeff and Ilona, 1991
Koons, Manet (Soft), 1991
-
Sherman, Untitled Film Stills, 1977-80
-
Barbara Kruger, Untitled (I shop therefore I am), 1987
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Vik Muniz, Brooklyn (Spiral Jetty afterSmithson), 1997
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Vik Muniz, Action Photo (After HansNamuth), 1997, photograph of Muniz’srecreation of Namuth’s photo in Boscochocolate syrup
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