Theatre History 1 Final

  1. was the name given to any play presented at Corpus Christi.
    Auto Sacramental
  2. The nonreligious plays of the Spanish Golden Age were produced in public theaters known as
    Corrales
  3. Under what circumstances were women allowed as actors in the Spanish theater (after 1599)
    If their husbands or fathers were members of the company
  4. was the most prolific writer of the Spanish Golden Age, having written 470 to 1500 plays
    Lope de Vega
  5. The Spanish Renaissance made use of ________________________which is dialogue indicating locale
    spoken decor
  6. The full-length, secular dramas of the Spanish Golden Age were known as
    comedias nuevas
  7. One important figure in the development of secular theatre in Spain was
    Lope de Rueda
  8. In form, Spanish plays were very similar to ____________________________ plays
    Elizabethan
  9. Religious plays of the Spanish Renaissance were mounted on:
    carros
  10. In the late sixteenth century, autos sacramentales were performed by
    professional troupes
  11. Before the Corpus Christi festival, actors performing the autos were required to give a preview performance for
    • the King
    • the city council
  12. The author-manager of a troupe was known as the
    autor
  13. Spanish secular dramas would be closest to the ____________ of today
    melodramatic entertainment
  14. One type of comedia was the ___________, which had a daredevil romantic quality
    capa y espada
  15. In comedia, the intermission featured interludes known as
    entermeses
  16. Lope de Vega wrote in a(n) _____________ style.
    episodical
  17. The equivalent of the Elizabethan groundlings in Spain were the
    mosqueterors
  18. Women attending the corrales sat in a separate gallery known as:
    cazuela
  19. A unique Spanish court entertainment was the __________, a stylized musical drama
    zarzuela
  20. Which of the following is true of Spanish acting troupes
    All troupes had to be licensed
  21. a nun, wrote secular dramas that were probably produced at the palace of governmental officials
    Sor Juana Ines de la Cruz
  22. t/f
    Playwrights chose to specialize in either religious or secular drama, and did not write both types of plays
    false
  23. t/f
    Comedias could contain both serious and comic elements
    true
  24. t/f
    Lope de Vega lived at the same time as Shakespeare, and wrote in a similar form.
    true
  25. t/f
    Both Lope de Vega and Calderon de la Barca were ordained priests
    true
  26. Shareholders in French acting companies were known as
    sociétaires
  27. married to Molière, was the leading actress in her husband's troupe.
    Armande Béjart
  28. At the beginning of the seventeenth century, French Theatre was most similar to
    Italian
  29. The man generally considered to be the first fully professional playwright in France was
    Alexandre Hardy
  30. by Jean Racine is one of the most famous French tragedies of all time.
    Phaedra
  31. The _________________________, a converted indoor tennis court, was competition for the Hôtel de Bourgogne
    Théâter du Marais
  32. The __________________________ is a government-supported French National Theater and was formed when Louis XIV merged two earlier troupes.
    Comédie Française
  33. Which of the following statements is true of the French Theatre?
    Performances were generally in the afternoon or early evening.
  34. In the mid-sixteenth century, a literary group known as the ____________ was formed to further writing and culture
    Pléiade
  35. by Molière caused a controversy because its title character is a religious hypocrite
    Tartuffe
  36. The _________________, completed in 1548, was the only permanent theater building in Paris for nearly a century
    Hôtel de Bourgogne
  37. which were housed in long, narrow buildings, were easily transformed into theaters in France
    Indoor tennis courts
  38. The head of the acting company was the _____________, the actor with the longest service in the troupe
    doyen
  39. French companies sometimes hired annually contracted actors known as
    pensionnaires
  40. The Renaissance arrived in France ______________ the rest of Europe
    later than in
  41. t/f
    Italy was a strong influence on both politics and culture in France.
    true
  42. t/f
    Court entertainment emerged in France in the last half of the sixteenth century.
    true
  43. t/f
    Molière’s contrived plots are frequently resolved by a deus ex machine.
    true
  44. t/f
    The Hôtel de Bourgogne is an example of a proscenium-arch theater
    False
  45. t/f
    It was customary to allow spectators onstage during the late seventeenth century, French neoclassical era.
    true
  46. Nell Gwynn was an actress during the Restoration period, who specialized in
    "breeches roles"
  47. To whom did Charles II grant a monopoly on theatre?
    Davenant and Killigrew
  48. features extraordinary characters who undertake extraordinary deeds and contains themes of love and honor.
    Heroic tragedy
  49. Who was the first woman known to make her living as a playwright?
    Aphra Behn
  50. Writing such plays as The Country Wife, ________________ satirized the elegant society of Restoration England
    William Wycherley
  51. Who wrote The Way of the World?
    William Congreve
  52. What play has the "china closet" scene?
    Country Wife
  53. The type of theater space preferred during the Restoration was the:
    proscenium stage
  54. which was influenced by the French dramatist Molière, focuses on the fashions and foibles of the upper class
    Comedy of Manners
  55. Willaim Congreve’s ________________ is often considered a bridge between Restoration comedy and eighteenth-century, English sentimental comedy
    The Way of the World
  56. Catherine Trotter, Mary Piz, and Delariviere Manley, known collectively as the __________________, worked to increase the involvement of female playwrights in English theatre.
    female wits
  57. Which of the following is true of Restoration audiences:
    • They are thought to have spoken back to actors.
    • They purchased fruit from “orange wenches.”

    They came to be seen, rather than to see the play
  58. A favorite dramatic device in the Restoration was to have a woman dress as a man in parts known as
    breeches roles
  59. Under the ______________, London actors were hired for a specific period of time at a set salary, rather than depending on the profits and losses of the company.
    contract system
  60. Which of the following is true of the Restoration theater:
    The stage was divided into two nearly equal halves.
  61. How was the stage lit during the Restoration?
    Windows provided sunlight.

    Candles were placed above the stage.

    Footlights were used
  62. Restoration audiences were primarily composed of
    the upper class.
  63. t/f
    During the Restoration it was an accepted, and commonly used, practice for playwrights to “borrow” from the works of other writers
    true
  64. t/f
    Actresses appeared on the English stage during the Restoration period
    true
  65. t/f
    Historically accurate costuming was used in Restoration theatres
    false
  66. t/f
    The Restoration began in 1660.
    true
  67. t/f
    William Wycherly wrote The Way of the World, considered a failure in its own time and now thought to be one of the best Restoration comedies
    true
  68. t/f
    There was no apron stage in use during the Restoration
    false
  69. Parts of the corrales (public theatres in spain)
    • Escenario-stage
    • Patio (pit) for the mosqueters
    • Taburates- raised and fenced row of stools/benches
    • Grades- bleacher-style seating on each side of the patio
    • Cazuela ("stew pot") gallery at the back wall, opposite the stage (women sit there)
    • 4th level- descenas ("attic")
    • Alojero- refreshment stands
    • Apasito- "theatre boxes" in the windows of surrounding houses
    • Rejas- windows in the lower level of the surrounding house
  70. Spanish theatre there were only performances on
    Sundays or feast days
  71. How did Lope de Vega structure his plays?
    • 3 acts
    • each act 1000 lines long
    • broke neoclassical rules
    • characterized by subject, not genre
    • has stock characters
  72. Dominant social class in Japan
    Samari
  73. These Japanese plots came from mythology, history
    Main character- Shite
    Commoner- Kyogan
    Companion- Truree
    Noh theatre
  74. The plays were in 5 categories
    7-8 hour event
    formally trained actors
    ornate costumes/minimum props
    Japanese theatre
  75. Deals with warrior class
    Sophisticated scenery
    Musicians- shanisen
    Bunraku
  76. How many puppeteers?
    • 3
    • 1- head and right arm
    • 2- left arm
    • 3- feet
  77. Most famous Bunraku theatre writer
    Chikamatsu
  78. Developed early 1600s. Combines elements of Bunraku, Noh, and Folk Theatre.
    Kabuki
  79. Women's roles that the men play
    Omnogata
    • Louis XIV as Apollo
    • The sun king in the Battle of the Night
  80. verse form in French- consists of a line with 12 syllables with major stresses on the 6th syllable
    Alexandrine
  81. What were the 5 major accomplishments of the Restoration stage?
    • 1. the creation of theatre companies
    • 2. introduction of women to the stage
    • 3. development of the modern playhouse
    • 4. movable scenery- chariot and pole
    • 5. enlargement of theatrical programs to include music, dance, and other forms of accompaniment
  82. Theatre Royal
  83. Different stock characters in Spanish theatre
    • galán (young cavalier)
    • dama (lady)
    • caballero (gentleman)
    • barba (old man)
    • gracioso (comic character/witty fool, often servant to galán)
    • criada (lady’s maid)
  84. (one-act plays, originally focusing on any of the seven sacraments of the Catholic Church. In time the term auto sacramental became associated with any play presented during the Corpus Christ festivities, whether or not they had anything to do specifically with the sacraments.
    auto sacramentales
  85. any secular play Spanish theatre
    comedia
  86. heavily decorated wagons that were moved around the city during performances, similar to the pageant wagons in medieval England
    carros
  87. Social Hierarchy and Racial Situation in New Spain (Mexico) in 1600s
    • The Spanish were at the top of the pyramid and jealously guarded their power and prestige.
    • The Criollos, people of Spanish descent born in Mexico, frequently enjoyed great wealth, but were always extremely conscious that the Spanish looked down upon them.
    • The Mestizos, people of mixed Spanish and native ancestry, inhabited an uncomfortable gray area in Mexican society: they were neither accepted by the Spanish and Criollos, nor by the native peoples.
    • Finally, the native peoples of what came to be called Mexico lived in both nomadic and sedentary cultures, which were slowly wiped out.
  88. The famous debate in Spain between Las Casas (a Dominican priest) and Sepulveda (The status of the indigenous population (Amerindians) in “New Spain” was contentious in Spanish society
    n 1550, there was a famous debate in Spain between Las Casas and Sepulveda regarding the justification of the Spanish conquest of the Amerindians. The question being debated was whether or not the Amerindians were capable of self-governance or were they “natural slaves”. No definitive answer was reached.
  89. spanish corral
  90. genre of Spanish plays
    • cape and sword” plays
    • peasants attempting to secure justice
    • wife-murder plays (Justice without Revenge)
    • religious or Bible subjects (Acting is Believing)
    • history plays
    • spectacles
    • plays about physically or spiritually grotesque characters
    • plays highlighting magic or illusion
  91. types of people in japanese theatre
    • hite (principle actor)
    • waki (secondary actor)
    • tsure (follower of the shite and waki)
  92. brief farcical plays performed as interludes between noh plays
    kyōgen
  93. noh stage configuration
    • o mirror room
    • o bridgeway
    • o pine backdrop
    • o musicians area
    • o stageo four pillars
    • shite pillar
    • gazing pillar
    • waki pillar
    • flute pillar
    •  chorus area
  94. noh theatre configuration
  95. noh dramas fall into 5 categories:
    • plays about gods
    • plays about warriors
    • plays about women
    • miscellaneous plays about madness or spirits/contemporary times (when written)

    plays about demons
  96. Neoclassical ideals
    three Unities (time—less than 24 hours; place—1 locations/could get to locations realistically within 24 hours; and action—one plot line/no subplots)

    verisimilitude (true to real life; offstage violence; no gods or supernatural characters)decorum (propriety; no crude language; preoccupation with rank; tragedy focuses on nobility; comedy focuses on non-nobles)

    genres (tragedy and comedy not mixed.

    5 act structure for tragedies.)
  97. Théâtre du Palais Cardinal/Théâtre du Palais-Royal
    • raked stage
    • parterre (pit)
    • loges (boxes)
    • paradis (“heavens”)

    gallery (seating that rose above the boxes opposite the stage)
  98. often-used background for tragedy that was a kind of neutral, formal space)
    palais á volonté/”palace to order”
  99. often-used background for comedy which showed domestic architecture, usually indoors
    chamber á quarte portes/”a room with 4 doors”
  100. a character in a play embodying an author's viewpoint, such as Cléante in Tartuffe)
    raisonneu
  101. a small theatre group Moliere formed in 1643 with some colleagues, many of whom were members of the Béjart family of actors
    Illustre Théâtre

    In 1665, Moliere’s company was given the title “The King’s Troupe”
  102. Armande Béjart
    Moliere’s wife
  103. Public theatres had been closed for 18 years under Puritan rule
    The Interregnum
  104. Although they ultimately uphold the status quo, these plays scrutinize and ridicule upper-class society’s manners and rules of behavior)
    comedy of manners
  105. mental sharpness and inventiveness; keen intelligence; a natural aptitude for using words and ideas in a quick and inventive way to create humor
    wit
  106. a radical treatise exposing the inequalities of early modern marriage practices.
    Mary Astell and A Serious Proposal to the Ladies (1694), Some Reflections upon Marriage (1700),
  107. actors would specialize in particular types of characters: heroic lead, comic lead, male heavy, female heavy, utility player, etc.)
    line of business
  108. actors taking opportunities to play downstage, on the apron, directly to the audience
    pointing
  109. a performance when an actor received the entire profit, minus the operating expenses of the house
    benefit performance
  110. Run by Thomas Killigrew until forced out in 1677 and replace by son, Charles Killigrew.
    King’s Company (1660-1682):
  111. Run by Sir William Davenant, until death in 1668, then by Thomas Betterton & Henry Harris (then William Smith) until Charles Davenant (son) comes of age
    Duke’s Company (1660-1682):
  112. the first recorded public performance by an actress
    1660: Margaret Hughes plays Desdemona in a production of Othello at the Vere Street Theatre
  113. role types english restoration
    The Rake: male role; reputation for womanizing; witty, sexually appealing

    • The Fop: male role; foolish, overly concerned with fashion/appearance, thinks he is witty
    • Breeches Role: female role; dressed in male attire; showing woman’s leg considered sexually risqué
  114. actress and mistress to Charles II
    Nell Gwyn (1650-87)
  115. Barry was the original Mistress Marwood in The Way of the World
    Elizabeth Barry (1658-1713)
  116. in Aphra Behn’s The Widow Ranter (1689) set in the colony of Virginia.Bracegirdle was the original Mistress Millamant in The Way of the World
    Anne Bracegirdle
  117. The Diary of Samuel Pepys 1660-1669
    theatre stuff we know
  118. Dorset Garden Theatre (1671)
    • proscenium
    • apron
    • pit
    • boxes
    • galleries

    graded seating prices and seating zones
  119. The Glorious Revolution
    Catholic King James II deposed in 1688, replaced by Protestant Queen Mary II and King William III. Constitutional monarchy put in place.
  120. a pretty actress placed at center stage on a bed or couch, with the scene requiring her to be asleep or in a state of undress
    couch scene
  121. specially in tragedies, this became a prominent (increasingly explicit) feature, which seemed intended to sexualize female characters who were considered virtuous/sexually pure
    rape scene
  122. Short essay- ways in which plays were censored. 3 different eras
    Inez de la Cruz- was forced to give up her writing. guy didn't like her. too political

    Restoration- women to be in troupe need to be married or daughter of someone in the troupe. cannot have legs seen. 

    ADD ANOTHERRR
  123. controversy over whether neoclassical or not
    french play
    Le Cid
  124. The years in which theatre was shut down in england
    1642-1660
  125. what thought congreve was an immoral playwright?
    short view immorality of stage
  126. noh theatre
    where were musicicans
    onstage
  127. mayan text pre columbian
    rabinal achi
  128. plays where performers directly engaged audience
    • asides, pointing, audience onstage
    • - way of the world- prologue directly addressing audience
    • - house of trials- many asides
  129. where all performers male
    all japanese theatre
  130. ex. of cross dressing in plays
    • country wife- women dressed as men
    • house of trials- men dressed as women
  131. which plays had government funding
    moliere's theatre company- king's company
  132. fuente a vuna
    who did it? fuente a venua
  133. brittanicus is about
    • power
    • emperpero nero and mother- apraphina
  134. nero enjoys watching who suffer?
    brittanucius and junia
  135. plays in which characters watch other characters
    • tartuffe- hiding under table, closet
    • country wife- china scene
  136. metatheatrical elements in plays
    way of the world- talking pretense
  137. plays in prose
    • country wife
    • way of the world
  138. playwrights who were also actors
    • Moliere
    • died after 4th performance of Imaginary Invalid
  139. 2 playwrights in holy orders
    • Lope de Vega
    • Inez de la cruz
  140. The two companies of Killegrew and Davedant merged to
    united company
  141. The religous festival spanish plays for
    corpus christi
  142. a la romans
    • dressed like a roman
    •  no attempt at costumes historical accuracy
  143. plays where someone was cuckolded
    • tartuffee
    • country wife
  144. wife cheating on husband
    cuckold
  145. plays that are clearly comedy or tragedy
    • tartuffee- comedy
    • brittanicus- tragedy
  146. plays that mix comedy and tragedy
    • 47 Samuri
    • Fuente a Venua
Author
tvalencia
ID
349920
Card Set
Theatre History 1 Final
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thetre history ifnsl
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