Fabric Dyeing and Painting Final

  1. Reasons why a costume designer might use dye
    • a. color matching understudies
    • b. to dull or brighten garment
    • c. fit the color palette
    • d. create a uniform look for multiples of a set
  2. The combination of two primary colors
    Secondary color
  3. how light or dark a color is
    value
  4. the basic name of the color, such as red, blue, or purple
    hue
  5. the combination of a primary and secondary color
    tetriary color
  6. the opposite color on the color wheel
    complimentry color
  7. how bright or dull a color is, which is another way to say how much grey is in the color
    chroma
  8. the color achieved from dyeing the same goods in the same vat at the same time
    dye lot
  9. saturating the fabric with water before immersing it in a dye vat
    wetting out the fabric
  10. dissolving the due in a small amount of water in a small pan before adding it to the dye pot
    pasting up the dye
  11. one of the three basic colors from which all others are made
    primary color
  12. how does a color change when you mix it with its compliment
    color gets greyer
  13. why should you wash (scour) a fabric before dyeing it?
    fabric comes with coating from the manufacturer. It needs to be removed to allow dye to fully penetrate
  14. Natural fibers derived directly from plants
    cellulouse
  15. Natural fibers derived directly from animals
    protein
  16. Man-made fibers manufactured from natural materials
    manufactured cellulouse and protein
  17. Man-made fibers made from chemical solutions, mostly petroleum bases
    synthetic
  18. Kinds of natural fibers derived directly from animals
    • silk
    • wool
  19. Kinds of natural fibers derived directly from plants
    • ramie
    • cotton
    • linen
  20. Kinds of Man-made fibers manufactured from natural materials
    • rayon
    • acetate
  21. Kinds of man-made fibers made from chemical solutions, mostly petroleum bases
    • Nylon
    • Polyester
    • Acrylic
  22. Difference between staple fibers and filament fibers
    • staple= short
    • filament= long
  23. Silk is from what part of the silk worm?
    Cacoon
  24. Difference between color application on printed fabrics vs dyed fabrics
    • Printed- overlay. Color is not in the fiber.
    • Dyed- color in material
  25. How do you make Jacquard permanent?
    iron
  26. How do you make Speedball permanent?
    time
  27. 2 ways you can make the stamp stencil design interesting
    • repeating, connecting 
    • 2 different colors to make ombre on stamp or stencil
  28. Reaction to being burned- smells like leaves and leaves a soft ash
    Cellulose
  29. Reaction to being burned- melts instead of burning and leaves a hard bead instead of ash
    synthetic
  30. Reaction to being burned- acrid smell like burning hair, soft ash
    Protein
  31. Printing tool created by cutting away the desired image
    Stencil
  32. Printing tool created by cutting away everything except the desired image
    Stamp
  33. Fiber type that comes from the stem of the plant
    bast
  34. Physical barrier to textile dyes or paints
    Resist
  35. Textile component created by twisting fibers together into a long string
    Yarn
  36. The liquid solution that passes through the spinneret to make a fiber
    Dope
  37. Tool, similar to a paint roller for spreading textile inks and paints for stamping
    Brayer
  38. Dye technique where the dye gradually changes from light to dark or one color to another
    Ombre
  39. Fiber manufacturing tool for creating filaments of different shapes
    Spinneret
  40. Removing dye with bleach or color remover, especially when the removed area creates a pattern
    Discharge
  41. Class of dye that dyes protein fibers- silk and wool
    Acid Dyes
  42. Class of dye that dyes cotton and linen
    Direct Dyes
  43. Class of dye that dyes natural fibers, both protein and cellulouse, but not synthetics
    fiber reactive
  44. Class of dye that dyes synthetics such as nylon and polyester
    disperse dyes
  45. Class of dye that dyes all fiber types
    union dyes (rit)
  46. What additive do you need for acid dyes?
    acetic acid (vinegar)
  47. What additive do you need for direct dyes?
    salt
  48. What additive do you need for fiber reactive dyes?
    soda ash and salt
  49. What additive do you need for disperse dyes?
    none or poly developer
  50. What additive do you need for union dyes (rit)?
    none or vinegar or salt depending on the fiber you are dyeing
  51. A weft yarn crossing over 2 or more warp yarns
    float
  52. Is characterized by a diagonal rib caused by stepping a float one yarn further over with each weft thread as they descend the warp. Often used to make pants or suits.
    twill weave
  53. Produces shiny fabrics because it uses filament yarns and long floats (4-11 threads)
    satin weave
  54. the simplest weave structure, an even alternation of warp and weft yarns
    plain weave
  55. made from 3 sets of yarns. vertical and horizontal plain weave ground plus loops at 90 degrees to the ground forming a fuzzy or "napped" surface as in velvet and corduroy
    pile weave
  56. made on a special loom that can make very complex woven designs, often florals
    jacquard
  57. Which of the following things would you do to prepare your silk fabric for painting?
    • True. Wash the fabric with Synthapol to remove finishing chemicals.
    • False. Pin the fabric down to a padded work surface such as Homosote.
    • True. Stretch the fabric on a wooden frame to suspend it in the air.
    • True. Draw the intended design on the fabric lightly with a pencil.
  58. Is a thin acrylic paint, is heat set with an iron, will work, not only on silk and wool, but also with other fabrics, and can be thinned with water
    Dye-Na-Flo
  59. Is a dye, is set either by steaming or by washing in a special chemical solution, and can be thinned with water
    Jacquard silk color
  60. T or F
    Gutta is a water based resist.
    Gutta is a resin based resist that must be cleaned up with mineral spirits.
    Gutta comes in black, white, silver, and gold.
    Gutta lines should form closed shapes.
    • False
    • True
    • True
    • True
  61. Sprikle ___ on wet silk painting to create starburst effects such as this.
    Salt
  62. How is a "miss" stitch in knitting like a "float" in weaving?
    Miss  stitch- the stitch "floats" over and "misses" (does not pass through). Used to create patterns
  63. Explain how a Raschel machine is to knitting what a Jacquard loom is to weaving
    Raschel is a knit that has a pattern knit into . it- like flowers, etc. Jacquard looms knit intricate pattern into the fabric. More intricate.
  64. Knitting in a vertical direction requiring a separate yarn for each vertical row, will not ravel or run, tricot, raschel, and stretch knits are examples
    warp
  65. Jersey, rib knit, and purl knit are the most common examples, the type of knitting you would do if you knit your sweetheart a sweater on 2 knitting needles with one ball of yarn
    weft
  66. When we describe a knit fabric's ability to "recover" what do we mean?
    its elasticity. when you stretch it and then release- how well does it hold its shape
Author
tvalencia
ID
346679
Card Set
Fabric Dyeing and Painting Final
Description
b
Updated