is an umbrella term for the numerous genre and sub-genres of electronic music that are primarily performed at, and produced for, nightclubs and raves
four-to-the-floor
kick drum on every beat
back-beat
the emphasis on beats 2 and 4
in this case hand claps or snare hits
loop based
music that is continuously repeated and often layered
predecessors
electro-acoustic music
experimental pop
disco
electro-funk
two schools of electro-acoustic music composition
musique concrete
elektronische musik
musique concrete
relied on found sounds
recording the sounds made in the world around you and tampering with it after
elektronische Musik
pushing synthesis
taking electric current and makes a new sound
afro-futurism
an aesthetic that combines elements of science fiction and futurism with Afrocentrism. An approach to futurism informed by black experience and history
rave
a large dance party with DJs and drug use
DJs performance is evaluated by
technical proficiency
curatorial skill
reading the crowd
technical proficiency
moving between records smoothly
curatorial skill
the ability to choose records that work well together
reading the crowd
ability to judge the crowd and play appropriate music that enhances their experience as dancers and listeners
sound design
tuning and adjusting the parameters that define a sound (ex:// alternating timbre)
groove construction
the combination of loops to create interesting and danceable rhythmic structures
snythesis
turning an electrical impulse into a pitch/sound
sampling
when you take recording material and mess around with it