lighting instruments

  1. when was the fresnel spotlight introduced?
    kliegl brothers lighting company in 1929
  2. what lighting instrument declined in general use, not the most efficient light
    fresnel
  3. it produces a soft, diffused, luminescent light
    used to produce a top wash or as back lighting
    fresnel spotlight
  4. produces a cone of light with a central hot spot that rapidly loses intensity toward the edge
    narrow beam
  5. produces a cone of light that is a smooth wash of light. often called a flood or flooding
    wide beam
  6. diffused treatment on its plano surface that produces a soft, circular beam of light
    stepped convex side to lighten the lens and prevent heat fracture
    the diffusion negates the beam spread characteristics controlled by the focal length of the lens
    fresnel lens
  7. the lamp-
    150 watt for a 3" to 2000 watts for 8" and 12" spots
    prefocus type base, halogen-tungsten lamp
    fresnel lamp
  8. it is mounted directly behind the filament of the lamp
    reflects all the light rays that are striking it back through the lens
    doubles the light output of the lamp
    fresnel reflector
  9. mounted on a small sled that slides back and forth in the housing during focusing
     moving the sled (lamp and reflection all the way back in the instrument) provides a narrow beam of light
      moving the sled forward floods the light
    how to focus fresnel
  10. deficiencies of frensel
    • little throw
    • a lot of the light is wasted heating the casing
    • reflector cannot be larger than the lens
    • focus is limited by the length of the housing
  11. flippers (called doors) can be swung into a beam of light and can cut off as much light as desired
    fits into the color frame
    barn door, fresnel accessories
  12. produces a circular pattern of light that is dependent on the diameter and length of the top hats cylinder
    used to prevent flare on adjacent scenery, masking or architecture
    fits in the color frame
    top hat, fresnel accessory
  13. designed to prevent flare or spill on only part of the beam emitted from the Fresnel
    fits in color frame
    half hat, fresnel accessory
  14. self contained
    lens
    fillament
    reflector
    parabolic aluminized reflector
  15. lamp housing performs no other function then safely holding the lamp and color media
    can
  16. used when a substantial amount of flat lighting is needed
    cheap and durable, lightweight and portability
     used for rock and roll lighting, tours, events
    ideal for color washes
    designing with the par can
  17. produces an oval pool of light with unfocused edges
    strong light output with soft edges
       ideal for providing brightness with blending ability
    the lamp can be swiveled to change the orientation of the oval
    designing with the par can
  18. housing built with a parabolic reflector
    uses a high performance H-T lamp that is common to it's instrument
    uses a variety of interchangeable lens to set the beam and field angle
    commonly comes with it's lens and standard reflector
    but a fifth wide angle lens and cold mirror reflector are available
    source 4 PAR Can
  19. a variation of the source four PAR is this instrument, a wash lighting fixture intended to be an alternative for Fresnel laterns
    • PARN-el
    • (portmanteau of PAR and Fresnel)
  20. other names for elliposidal reflector spotlight
    • ERS
    • Leko
    • Profile
  21. "work horse" of stage lighting
    narrow beam, throws light a long distance
    intense hard-edged beam with little diffusion
    internally mounted shutters, for shaping the edge of the light
    ellipsoidal reflector spotlight characteristics
  22. gathers light from one focal point and focuses it on a second focal point
    uses the shutters to shape the light edge
    relies on calculating the beam angle, field angle and foot candle to determine use and placement
    ERS: general operating principles
  23. Image Upload 2
    putting this in just in case
  24. the point in which the light emitted is 50% compared to the center of the beam
    beam angle
  25. the point in which the light is emitted is 10% compared to the center of the beam
    field angle
  26. amount of light on the lighting area (what you are lighting)
    equal to 1 square foot of light from 1 foot away
    footcandle
  27. any light less than ___ foot candles is unusable to the lighting design
    50
  28. Image Upload 4
    if needed
  29. lamp is halogen tungsten lamps
    250W-1000W
    HPL 575 Watt Lamp= 1000 Watt Lamp
    ERS Lamps
  30. combination of plano-convex lenses
    ERS lenses
  31. name some ERS Accessories
    • color frame
    • iris
    • gobo "goes before optics"
    • gobo rotator
  32. high intensity, hard edged beam
    sizes
      smallest have a throw of 30'
     largest used carbon arc technology and have a throw of 300' - 400'
    follow spot characteristics
  33. shutters
    iris
    spherical reflector
    rear, front condensing lens
    focusing lens
    focus control
    reflector sled
    color media shutters
         not dimmable
    follow spot operation
  34. physical properties
      housing
        six to ten foot long trough that is wired to hold a series of lamps
       yoked to be secured to the deck or attached to an electric
    strip lights
  35. wiring
       typically wired in a three to four series circuits
      allows you to put 3-4 colors on each strip light
    strip lights
  36. lenses
      none- have colored media frames
     roundels-
      colored diffusing glass lens
    strip lights
  37. housing
    style one: has a symmetrical reflector for providing a smooth color wash anywhere on stage
    style two: asymmetrical reflector specifically designed to light cycs
       bolted together and then used to light __ from above and below
    cyc lights
  38. design use
      provide an uneven wash of light that is perfect for lighting cycs
      provide an even color wash on the stage by using a symmetrical reflector
    cyc lights
  39. design use
       light drops, cycs and work light
      raisin bran lighting
    scoop
  40. physical properties
       half a sphere, conical ellipsoidal
      reflective surface on the inside
      14", 16", 18" diameters
     lens less
     larger color frame holder
    scoop
  41. physical properties
      vertical pipe with a heavy base
      1-1/2" pipe (or 1-1/4")
     often have adjustable cross bars or side arms
      instruments are hung on these
    boom
  42. design use
      proscenium theatres
      in places with no permanent lighting positions
       typically for side light
      often used in dance
    boom
  43. lighting structures that are like booms
    hung from the end of a batten (electric)
    tab pipe
    dead hung from grid
    light ladder
  44. engineered structure that is used for temporary lighting placements in many types of venues
    highly structural and designed to hold many instruments and other items
    truss
  45. used to extend a horizontal lighting position off a vertical pipe or change the plane of a instrument hung on any lighting position
    side arm
Author
tvalencia
ID
328967
Card Set
lighting instruments
Description
lighting
Updated