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Mass for Christmas Day
Gregorian Chant Mass
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Chants from Vespers for Christmas Day
Gregorian chant office
minor, neumatic
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Victimae paschali laudes
Wipo of Burgundy
Sequence
11th cent
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Tropes on Puer natus: Quem quaeritis in praesepe and melisma
- Texted trope (liturgical drama) and untexted trope
- Late 10th cent
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7. Ordo virtutum: In principio omnes
Hildegard of Bingen
Sacred musical drama
1151 (12th century)
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Can vei la lauzeta mover
Bernart de Ventadorn
- (canso) Trobuador song
- Canso- strophic song about love
- ca. 1170-80 (12th cent)
- in Occitan
chill, voice _-'-_- things
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A chantar
Comtessa de Dia
Canso (trobadour song) (trobaritiz song)
- 12th century +
- in Occitan
- Woman in love who writes of the pride and disdain of her male lover (unique)
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Jeu de Robin et de marion: Rondeau, Robins m'aime
Adam de la Halle
- Trouvéres song
- Musical play
- 1284 (13th cent)
- monophonic rondeau
- ABaabAB
- Instruments: Vielle, glittern
- included due to dancelike rhythm
- #4, ropa (robin)
- - copy male, instruments
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Palästinalied
- Minnesinger song (minnelied)
- 1228 (13th cent)
- crusade song
- Vocal line, rebec, and lute
- Instruments play before and between stanzas
(AAB)
In rhythm, sounds slightly oriental
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Cantiga 159, Non sofre santa maria from Cantigas de Santa Maria
- cantiga (song)
- 1270-90 (13th cent)
- Arabic zajal song form
- upbeat, has instruments (drum, pipe, lute, nad nakers)
- Parts
- Rhythm _--_--_--_--
(AAB)
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Le manuscrit du roi[the manuscript of kings]: La quarte estampie royal
- Estampie
- late 13th cent
- Dance
- triple meter
- Solo flute with drum (met) accompaniment
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Viderunt omnes
Leoninus et al.
- Organum duplum
- 12th century +
- lower voice- tenor (less notes)
- higher voice- duplum (more notes)
mellismatic- more movement in lower voice (2 voices)- not strict rhythm, some drone at start
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Viderunt omnes
Perotinus
- Organum quadruplum
- 1198 (12th century)
- building on nawm 17
4 voices, pushing forward, ahhhhh
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Ave viro virginum
- Conductus
- 12th+/13th-
- notre dame polyphony
- pg 96*
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De ma dame vient/Dieus, comment porroie/Omnes
Adam de la Halle
- Motet
- 1260s-80s (13th cent)
2 singing lines above drone-ish tenor; 3/4 major
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Aucun ont trové/Lonc tans/Annuntiantes
Petrus de Cruce
NA-------nawm 23
Multiple parts, a drone-ish string underneath
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Rota: Sumer is icumen in
- Rota
- 1250 (13th century)
- medieval polyphony
- only 6 part polyphony before 15th cent
sing cucu!! Sounds like kids song; 1-5-1-5 etc
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Cum statua/Hugo, Hugo/Magister invidie
Philippe de Vitry
NA----- Nawm 25
4 part stuff, rhythmic, basically on beats of 4/4 for changing (swing 8ths)
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La Messe de Nostre Dame: Kyrie and Gloria
Guillaume de Machaut
- Mass (Mass Ordinary cycle)
- ca 1364 (14th century)
- Gloria------ NA Nawm 26
Triplum, duplum, tenor, countertenor
- Kyrie/kriste-ele i son; newer choir music sound, same words for each part
- Gloria- somber, same words for each part
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Douce dame jolie
Guillaume de Machaut
NA---- Nawm 27
The song listened to for paper- upbeat melody
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Rose, liz, printemps, vendure
Guillaume de Machaut
- Rondeau- love songs in the tradition of the trouvéres
- 14th century =
Change syllables at same time, sounds chordal (7ths, 9ths, etc); Rosa, leeee
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en remirant vo douce pourtraiture
Philippus de Caserta
- Ballade
- 1370 (14th century)
Guitarlike underneath, flute matching girl melody (major esque)
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Non al suo amante
Jacapo da Bologna
- Madrigal
- 1350 (14th century)
Girl and guy going back and forth (minorish-esque)
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Così pensosò
Francesco Landini
- NA----- Nawm 31
- 14th cent (probs)
Peppy, 4/4, like 4 male lines
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Non avrà ma ' pietà
Francesco Landini
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