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Mannerism
- c. 1520 - 1600
- Artists couldn't compare to classical artists, so they deliberately veered away and exaggerated religious imagery.
- Sculpture took a backseat due to Michelangelo being so reputable.
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Madonna of the Long Neck, Parmigianino, Mannerism, c. 1520 - 1600
- >Unidealized physical features
- >Tiny man holding proclamation, looking to far right outside of our field of vision.
- >Comparable to a pieta scene
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- The Rape of the Sabine Woman, Giambologna, Mannerism, c. 1520 - 1600
- >Romans acquired wives for themselves after defeating the Sabines.
- >Life-sized marble statue placed on a terrace that is perpendicular to Florence Town Hall
- >Near Michelangelo's "David" but added 2 figures
- >Motion and Emotion, unlike "David"
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Saltcellar of King Francis I, Cellini, Mannerism, c. 1520 - 1600
- >Meant for dining table centerpiece
- >Poseidon (Salt) and Goddess of Land (Pepper)
- >Gold cast with enamel and jems
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Feast in the House of Levi, Veronese, Mannerism, c. 1520 - 1600
- >Linear one point perspective
- >Spanish Inquisition still going on
- >Obvious Germans in scene
- >All he did was change the title of the piece in order for it to be acceptable to to Inquisition.
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The Last Supper, Tintoretto, Mannerism, c. 1520 - 1600
- >Not meant to decorate a refectory
- >Spiritual lighting
- >Moment in time (breaking bread)
- >Judas is on the other side of the table, but Christ and Judas are on the same horizontal line
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San Giorgio, Palladio, Mannerism, c. 1520 - 1600
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Baroque
- c. 1600 - 1750
- Begins in Italy and serves the Counter Reformation
- A return to religious art
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St. Peter's Facade, Maderno, Baroque, c. 1600 - 1750
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David, Bernini, Baroque, c. 1600 - 1750
- >lifesized, marble
- >More life-like in size
- >Expressive and body is tense
- >Positioned much more on a diagonal
- >To be seen from 360 degrees in the round
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St. Teresa in Ecstasy, Bernini, Baroque, c. 1600 - 1750
- >Popular and newly canonized saint in 1600's
- >Not the annunciation
- >Orgasmic revelation of God
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St. Peter's Piazza, Bernini, Baroque, c. 1600 - 1750
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The Calling of St. Matthew, Caravaggio, Baroque, c. 1600 - 1750
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Judith and Maidservant with the Head of Holofernes, Gentileschi, Baroque, 1600 - 1750
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