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Pitch
The frequency of how high or low a sound is
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Intervol
the distance between two pitches
ex.) Doe a deer
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Range
the distance between the lowest or highest notes an instrument or voice can stretch
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Octive
interval between notes of the same name
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Accent
emphazing one note over others by playing it louder
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Timbre
Tone color
quality of sound that distinguishes one instrument or voice from another
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Rhythm
the ordered flow of music through time
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Beat
a regular, recurrent pulsation that divides music into equal units of time
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Meter
the organization of beats into regular groups
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Syncopation
notes being accented between the regular beats of a note. unexpected
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Melody
Horizontal organization of notes that add up to a recognizable whole. Phrases that move.
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Legato
long, smooth notes
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Staccato
short, detached, choppy notes
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Phrase
shorter section of notes
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Cadence
A phrase or that ends with a sense of finality
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Harmony
Vertical organization of notes constructed to fallow each other.
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Chords
2+ notes/tones sounded at once
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Consonant
stable, restful chords
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Dissonant
unstable, tense chords
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Dynomics
Level of softness or loudness.
Piano- soft, Mezzo-medium, forte-loud
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Key
Tonality. The central note, scale, and chord
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Modulation
The shift from one key to another within one composition
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Texture
- ways harmony and melody are intertwined
- -monophony- one sound, without accompaniment
- -Polyphonic- two or more sounds of equal interest played at the same time
- -Homophonic- a single melodic line with one or more accompany parts
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Text painting
music that reflects the literal meaning of a song
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Ternary and Binary
Ternary- ABA
Binary- AB
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Idiophones
hard and solid that's struck and shaken
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Membranophone
anything with a membrane over it
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Basso continuo
Continuous bass line
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Recitative
a form of "singing speech" in which the rhythm is dictated by the natural inflection of the words
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Register
Relative height or range of a note, set of pitches or pitch classes, part instrument or group of instruments
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Nationalism
use of musical ideas or motifs that are identified with a specific country, region, or ethnicity.
e.g. folk tunes
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Aria
composition doe solo voice and instrumental accompaniments
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Vernacular
everyday spoken word
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Harpsichord vs Pianoforte
Harpsichord has strings plucked. Used during Renaissance and Baroque Periods.
Pianoforte was used during the 18- 19 century and led to the modern piano
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Neoclassism
"Back to Bach"
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Program music
Instrumental music associated with a non-music idea, idea often stated in the title or note.
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Atonal
lacking a recognizable tonal center or tonic
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Serialism
Schoenberg's system of arranging the twelve pitches of the chromatic scale in a particular order.
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Ragtime
A composed music of the 1890's, usually for piano
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Blues
A lamenting, melancholy song characterizing by a three-line lyrical pattern in AAB form, a twelve bar harmonic progression, and the frequent use of blue notes.
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Improvisation
the practice of making up music of and performing it on the spot without first having written it down
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Call and Response
A song style (found in many African cultures) in which phrases sung by a leader alternative responding phrases sung by a chorus
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Bebop
A jazz style that emphasizes small ensembles playing very active and complex music
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Cool Jazz
A restrained, controlled jazz style that developed during the late 1940's.
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Fusion
A style a jazz style that developed during the late 1960's that has been influenced by rock music through inclusion of amplified instruments, short riffs, ,and beat subdivisions
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Free Jazz
Post-bebop jazz style that freely changed rhythmic patterns and disposed of repeating melodies in favor of free-flowing, improvised playing.
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Impressionism
19th century artistic movement that sought to capture the visual impression rather than the literal reality of a subject. Debussy, emphasis on mood, atmosphere, sensuous tone colors, elegance, beauty of sound.
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Expressionism
- Artistic school in 20th century that attempted to represent the psychological and emotional aspects of human behavior.
- ex) starry Night
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Symbolism
A subtle french poetic style from the late 19th century that stressed the sound and color of the sound and color of the words and suggested rather than clearly outlined the meanings or story behind the text
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Primitivism
- Lack of traditional sense perspective, and vivid, unrealistic, colors.
- ex.) Picasso art
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Tutti
Everything, every musician, playing together
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Louis Armstrong
nicknamed "pops" and "satchmo"
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Opera vs Musical Theatre
Musical theatre is a hybrid form of theatre combining music, songs, spoken dialogue and dance. The emotional content of the piece – humor, pathos, love, anger – as well as the story itself, is communicated through the words, music, movement and technical aspects of the entertainment as an integrated whole. Opera is an art form in which singers and musicians perform a dramatic work combining text and musical score. Opera is part of the Western classical music tradition. Opera incorporates elements of spoken theatre, such as acting, scenery and costumes and sometimes includes dance.
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Opera styles of Wagner vs Verdi and Puccini
The most fundamental difference is that Verdi's operas are traditional 'number' operas (a series of shorter pieces strung together). whereas Wagner's operas are 'through composed' (ie conceived and composed as a long, continuous and largely seamless whole). In addition, Wagner makes substantial use of the 'Leitmotif' - whereby certain musical themes and harmonies are associated with individual characters and locations within the opera, something Verdi did not employ.
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A) Beethoven: Symphony No. 5 in C Minor, mvt. 1
Classical Allegro, normal Symphony instruments
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B) Schubert: “Erlkönig”
Romantic Staccato Notes, German Opera. Solo voice and Piano.
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C) Chopin: Nocturne, Op. 9, No. 2
Romantic Piano Calm, solo, Piano Music. No repeated sections
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D) Berlioz: Symphonie fantastique,5 “Dream of a Witches’ Sabbath”
Romantic Program Music Program Symphony. Slow string part followed by a bumpy wind part.
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E) Smetana: “The Moldau”
Romantic Symphonic Poem.
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F) Tchaikovsky: Romeo and Juliet Overture
Romantic Concert Overture, Sonata with a slow introduction
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G) Mendelssohn: Violin Concerto in E Minor, mvt. 1 Romantic Concerto
Fast and Passionate
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H) Dvorák: Symphony No. 9, mvt. 4
Romantic Symphony Fast, with fire
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I) Puccini: “Si, mi chiamano Mimi” from La Bohème
Romantic Opera Opera aria, slow, Italian, soprano soloist
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J) Wagner: “Grane, My Horse!” and finale from The Twilight of the Gods
Romantic Opera Soprano and large orchestra, german, no set tempo
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K) Debussy: Prelude to the Afternoon of a Faun
20th Century Impressionism Symphonic Poem,unclear tempo,
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L) Stravinsky: The Rite of Spring
20th Century Primitivism Ballet Music, changing meter,
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M) Schoenberg: “Der Mondfleck” from Pierrot Lunaire
20th Century More talking than singing, chamber music, german, sassy pissed off woman
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N) Smith: “Lost Your Head Blues”
Jazz Classic blues, quadruple meter.
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O) Parker: “KoKo”
Jazz Bebop Jazz, fast tempo,8 bar long solos, trumpet and saxophone
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P) Davis: “Miles Runs the Voodoo Down” excerpt
Jazz Fusion, pretty slow, percussion in the background
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Q) Still: Afro-American Symphony, mvt. 1
Jazz
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R) Copland: “Fanfare for the Common Man”
Jazz Starts out with symbols. Kinda sounds like the Superman Theme sound.
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S) Bernstein: “America” from West Side Story
Jazz Musical maracas. Puerto Rico haters.
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The role of a conductor (what s/he does)
- Keeping the tempo - Queuing the sections of their turn - Controlling dynamics
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Sacred vs. secular music
- Sacred- Music meant for church services, Gregorian chant, and more simplistic for chant syllables.
- Secular- non-church music, longer phrases and more expressionism.
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What city did jazz develop in, and why?
New Orleans, it was a mix of African and European music, because it was a port city with new people coming from many places in the world and it had a lively nightlife that helped blend many ethnicities.
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What instruments make up the rhythm section in a jazz band?
The bass or drums
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What 20th century American pieces (and their respective composers) did we study that were directly influenced by jazz and/or the blues?
Rhapsody in Blue (Gershwin), Afro-American Symphony (Still)
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American musicals developed most directly from what European musical style?
European Operettas
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