Final Art History Romantic

• was an artistic, literary, and intellectual movement that originated in
• Europe toward the end of the 18th century and in most areas was at its
• peak in the approximate period from 1800 to 1850. Partly a reaction to
• the Industrial Revolution,[1] it was also a revolt against aristocratic social and political norms of the Age of Enlightenment and a reaction against the scientific rationalization of nature

• iterary sublime as "excellence in language", the "expression of a great
• spirit" and the power to provoke "ecstasy" in one's readers.

• Kaufmann, Cornelia Presenting Her
• Children as Her Treasures (Mother of the Gracchi) c. 1785

David, Oath of the Horatii, 1784

• David, Coronation of Napoleon,
• 1805-1808

• Goya, The Sleep of Reason Produces
• Monsters c. 1799

Goya, The Third of May 1808, 1814

Gericault, Raft of the Medusa 1818-19

• Turner, The Slave Ship (Slavers
• Throwing Overboard the Dead and Dying, Typhoon Coming On) 1840

Delacroix, Death of Sardanapalus 1827

Delacroix, Liberty Leading the People 1830

Courbet, The Stone Breakers 1849

Millet, Gleaners 1857

Bonheur, The Horse Fair 1853-55

Manet, Le Déjeuner sur l’herbe (Luncheon on the Grass) 1863

Manet, Olympia 1863

Ingres, Grande Odalisque 1814

Daguerre, Still Life in Studio 1837

Nadar, Eugène Delacroix c. 1855

• O’Sullivan, A Harvest of Death, Gettysburg Pennsylvania,
• July 1863

Lewis, Forever Free 1867

• Realism in the arts
• may be generally defined as the attempt to represent subject matter
• truthfully, without artificiality, and avoiding artistic conventions,
• implausible, exotic and supernatural elements.

Being at this time; now existing

s the art, science, and practice of creating durable images by recording light or other electromagnetic radiation, either chemically by means of a light-sensitive material such as photographic film, or electronically by means of an image sensor.

was the first commercially successful photographic process, invented around 1837 by Louis-Jacques-Mandé Daguerre. The physical daguerreotype itself is a direct positive made in the camera on a silvered copper plate.

French for “exhibition of rejects” (French pronunciation: [salɔ̃ de ʁəfyze]), is generally an exhibition of works rejected by the jury of the official Paris Salon, but the term is most famously used to refer to the Salon des Refusés of 1863.