art history 2(test 2) part one

• the adoration of the magi
• da fabriano
• quattrocento period 1400-1500
• uffizi museum Florence italy
• international
• perdella

• 1. nativity
• 2. flight into Egypt
• 3. presentation in the temple

strozzi alterpeice

light and shadow

it is when the background looks all fuzzy like there is atmosphere between foreground and background. images in the front are crisp and in the background is fuzzy. masaccio invented it. warm colors jump out at you and cool colors will fade into the background.

• the tribute money
• masaccio
• quattercento period 1400-1500
• Florence, italy
• fresco in a fresco cycle that deals with st. peter

• 1. should they pay money to a pagan king
• 2. they don't have any money
• 1. Jesus said render the things that belong to Cesar that are his and render the things that belong to God to him .
• 2. go to that stream over there and you will find a fish with a gold coin in his mouth.

• 1. images overlap
• 2. naturalistic scale
• 3.background convincing
• 4. no flat background
• 5.1st time done places his figures in an open spacious landscape
• 6. 1 point linear perspective
• 7. 1st time done single identifiable light source
• 8.good shadowing his images look 3d
• 9. 1st time done atmospheric prespective

• the holy trinity
• masaccio
• florence italy
• quattrocento period 1400-1500

he places them in a triangular shape

• Lenzi family
• this supposed to be their chapel but its painted on 
• a burial maker
• i was once that which you are and what i am you will also be. above skeleton on bottom half

• the battle of san romano
• uccello
• florence italy
• quattercento period 1400-1500
• international and reniassance
• egg tempera on a wooden panal

• the battle of san romano
• uccello
• florence italy
• quattercento period 1400-1500

• the last supper
• castagno
• florence italy
• quattercento period 1400-1500
• a refectory(a dinning hall)

• 1. he starts the sacrament of the mass
• 2. he announces one will betray me it is Judas which is why he is sitting on the opposite side of the table.

a covered porch

• the st. Lucy altarpiece
• veneziano
• uffizi museum Florence italy
• quattrocento period 1400-1500

• 1. bright,light,pastels
• 2. sacred conversation is where the figures seem to be talking about something secert

• the vision of empress Helen
• arezzo, Italy
• dell francesca
• quattercento period 1400-1500

Helen has a vision a angel visits and tells her to go find the true cross( the cross Jesus was crucified on) she find three crosses she figures out which one is the right on by laying a sick man on them until he is heeled.

• the resurrection
• della Francesca
• San sepolcro, Italy
• quattercento period 1400-1500
• atmospheric perspective
• figures are in a triangular shape

• the birth of Venus
• uffizi museum Florence Italy
• Botticelli
• egg tempera on canvas
• quattrocento period 1400-1500
• the rebirth of beauty in art in Florence in the 15th century
• a female nude
• and not a christian subject in pagan
• because the Medici family had him do it

• called Zephyrus
• they are the personification of natural elements in human form these particular ones are the wind.

• the ceiling of the room of the newlyweds
• mantua, italy
• martegna
• quattercento period 1400-1500

• foreshortening- images is set at an angel and seems to be receding back into space
• plural-putti
• singular-putto
• Gonzaga very rich, very powerful

a district

• the dead christ
• martegna
• milan, italy
• quattrocento period 1400-1500
• christ was taken down of the cross before his burial the Madonna, Mary Madeline are there to.
• foreshortening and he did it backwards small feet large head.
• and usually in foreshortening you would have large feet and a small head but this way works

• the virgin of the rocks
• louvre museum in paris france
• high reniassance period 1485-1520
• oil on a wooden panel
• in a triangular shape

• sacred conversion
• atmospheric prespective
• chiaroscuro
• sfumato-when modeling the skin of his characters he uses shuttle graduation of light and dark

• the last supper
• da vinci
• Milan, Italy
• high renaissance period 1485-1520
• a fresco on a wall in a  refractory in a church

jadas is not by himself, but he is not part of the conversation going on and he is hold a bag of money da vinci dose this to keep the piece balanced. its the moment Christ tells them one will betray me.no halos.the three windows show the holy trinity and highlights Jesus head. atmospheric perspective.1 point linear.

• the school of Athens
• high renaissance period 1485-1520
• Raphael
• Rome
• leading thinkers and sciencetist of the world
• paint modern day faces on them people he admires
• fresco
• pope Julius the 2nd

• to the left is Plato he points up and his followers
• Aristotle to the right he points down and his followers
• Plato looks like da vinci
• and its Michelangelo

• high renaissance period 1485-1520
• Rome
• white marble artists favorite medium
• Mary cry/pitting her sons death(Jesus)

• the David
• Florence Italy
• Michelangelo
• high renaissance period 1485-1520
• the moment before the fight with Goliath hes staring off into space looking at Goliath.
• contoposto stands,hes tense, huge piece about 18 ft tall made to go on top of a building wall

• Moses
• Michelangelo
• high renaissance 1485-1520
• Rome
• Moses has just gotten the 10 commandments from God and comes back down to see his people reverting to paganism. angry look on his face is a broke feature
• staring off into space
• muscles tense-idealized
• he has horn because of a mistranslated in the bible instead of shining head of Moses
• he thought it said horned head of Moses

• Sistine chapel celing
• Rome
• michelangelo
• fresco
• high renaissance 1485-1520
• biblical history of the world before Moses
• because it is a round ceiling about 70 feet from the ground

they are pagan fortune tellers that told of Christ the flank the 9 main panels. there was also old testament prophets as well that told of Christ.

• creation of Adam
• Rome
• high renaissance period 1485-1520
• Michelangelo
• curving s line that moves u through the painting it is a broke feature

• God looks like Zeus and clothed
• Adams muscles are idealized and naked
• its the moment right before God touches Adams lifeless body and to bring it to life its like its about to happen

• the women and child are said to be Mary and Christ or
• the baby is just an angel and the women is eve

• arnolfini wedding
• northern renaissance period 1400-1600
• Jan Van eyck
• Flemish
• oil on a wooden panal

• the garden of earthly delights
• northern renaissance period 1400-1600
• dosch
• flemish

• the four horseman of the apocalypse
• northern renaissance period 1400-1600
• durer
• German
• woodcut print

its a carving tool used in printmaking

as a graphic artist

this is the area of art concerned with drawing and printing

• 1st artist to raise printmaking to fine art
• 1st northern artist to travel to Italy to learn the Italian style
• goal he wants to combine northern with Italian style

• flat block of wood
• artist carves out image with his burin
• cover with ink
• put in a press with paper press down hard
• in relief (raised area) is whats on the paper
• called a relief print

• parallel lines that make perpendicular lines across horiztional lines closer loks darker
• further apart lighter

a serious of parallel lines the closer they are the darker they are and further apart the lighter it looks

durer the artist its how he signs his name

• a flat piece of metal
• carve out picture with burin
• plate is covered with ink
• puts plate in press with paper
• wipes off the ink
• press down on the paper
• wherever the ink is (cutaway area) that makes the print
• called intaglio print
• last longer than wood

• flat metal sheet
• cover with wax with your burin
• carve in the wax down to the metal
• with wax on put in acid 
• acid eats away metal and makes your relief sculpture
• remove wax
• cover with ink
• put in press with paper
• press down 
• ink only in the groves 
• makes ans intaglio print