-
ambiguity
image on the retina can be caused by an infinite number of objects
inverse projection problem
-
challenge of object perception
people recognize objects that are not in sharp focus
-
viewpoint invariance
human have the ability to recognize objects from different viewpoints
-
structuralism
perceptions are created by combining elements called sensations
-
sensation
the dots on the face are combined to form a face
-
how does this explain our seeing things that arent really there?
- illusory contours
- represent edges of a cube there doesnt really exist
-
gestalt psychology
- whole differs from the sum of its parts
- perceptual organization
-
gestalt psychology
what is perceptual organization?
how small elements are grouped into larger objects by our brain
-
gestalt laws of perceptual organization
1. law of simplicity/good figure/pragnanz: stimulus is perceived in such a way that the resulting figure is as simple as possible
2. law of similarity: similar things appear to be grouped together
3. law of good continuation: point that results in smoothly curving lines are seem as belonging together and the lines appear to curve in such a way that they follow the smoothest curving path.
4. law of proximity/nearness: things that are nearer appear to be grouped together
5.law of common fate: things that are moving in the same direction appear to be grouped together.
6. law of meaningfulness/familiarity: things that appear meaningful are grouped together
7. Law of common region: things that are within the same region appear to be grouped together
8. Law of uniform connectedness: elements that are connected by properties such as lightness, color, texture, are grouped together.
9. Law of synchrony: visual events that happen at the same time will be perceived as belonging together
-
perceptual segregation/figure-ground segregation
how elements are seperated from the rest of the scene
-
reversible figure-ground
when a seperate object usually seen as the figure stands out from its background which is the ground.
-
what features determine which area is figure?
figures in the lower part of a display
for left-right displays, small preferences for left region
-
____when the figure area is positioned over the receptive field
____ when the ground area is positioned over the receptive field
- neurons fire
- neurons hardly fire
-
problem with neural responses to figure and ground
neurons have very small receptive fields, they tend to look at only a small portion of the stimulus field
-
contextual seperation
neurons still fire in response to figure-ground seperations
-
top down processing
neurons receive signals from higher areas of the visual cortex based on context and experience
-
oblique effect
people are sensitive to vertical and horizontal lines than to other orientations
-
structural descriptive model
individual 3-d volumes can be combined to create the overall shape of the object
-
RBC
- recognition by components model
- we recognize 36 standard geons
-
accidental property
sometimes the object is oriented in such a way that they geon becomes unrecognizable
-
-
binocular rivalry
different images on the two retinas
-
Divided attention
- Divided attention
- – paying attention to a number of different things at the same time – difficult
- to focus on any one thing
-
selective attention
- Selective attention
- – focusing on specific objects of interest & ignoring others
-
-
Between saccades eye stops momentarily to take in information_____indicate where the person is attending
fixations
-
eye movements, 3 things
- (1)
- Characteristics of the scene
- – bright colors, salience, high visibility
- (2)
- Picture meaning & observer
- knowledge – scene schema (knowledge of
- what to expect in a typical scene – e.g., office scene)
- (3)
- Observer’s task
- – only fixate on areas where there is task relevant information
-
Inattentional blindness
- Inattentional blindness
- – a stimulus that is not attended will not be perceived, even if a person is
- looking at it directly!
-
We tend to ____ based on our past experience with the environment – predict approximately what
will happen in a particular scene
fill in the blanks
-
Is attention necessary for perception?
- No
- – if we only want to can perceive the “gist” of a scene without specific
- details
- BUT,
- Yes if we want specific details
- - only be perceived with focused attention
-
spreading enhancement
- When
- attention is directed to one part of an object, enhancing effect of this
- attention spreads throughout the object – “spreading
- enhancement”
-
binding
- Binding
- – features such as color, form, motion & location combine to create our
- perception of the world
-
If
different neurons fire in response to different stimuli (remember FFA, PPA,
EBA), how do the they combine to present an integrated view of an object?
the binding problem
-
feature integration theory
- Feature integration theory –
- at the preattentive
- stage different features of an object
- are separated – “what” stream & “where” stream
-
illusory conjunctions
- In
- the absence of focused attention,
- features associated with one object can be incorrectly combined with another – illusory
- conjunctions
-
Balints syndrome
- Caused
- by damage to the parietal lobe –
- failure of attention - Balint’s
- syndrome
-
Synchrony hypothesis –
- when neurons in different
- parts of the brain are firing in response to the same object their responses
- will be synchronized
-
How can we describe color?
- Intensity
- – brighter or dimmer
- Saturation
- – quantity of white
-
selective reflection
- Some
- wavelengths are reflected more by some objects – chromatic colors, or hues – this property –
-
When light reflection is flat across the spectrum – no hue
achromatic colors
-
Transparent objects
selective transmission – only some wavelengths pass through
-
Normal color vision
- require at least three different
- wavelengths to create a perfect match
-
Color deficient
perceive that they have created a match with just two wavelengths
-
Additive
color mixture –
all the wavelengths stimulate cone receptors
-
Subtractive color mixture
- –each
- paint reflects only one or two colors & absorbs (subtracts) the others –
- decreases the light reaching the cone receptors
-
Monochromat –
- •Monochromat – can match any wavelength in the spectrum by adjusting the intensity
- of any one other wavelength
- Generally
- hereditary, occurs in 10 out of 1 million people
- Vision
- resembles rod vision
- in dim & bright lights
- See
- everything in shades of lightness/darkness –
- white, gray, black – color blind
- Poor
- visual acuity – sensitive to bright lights & need
- to wear dark glasses
- Rod
- system is not designed to function in bright light – overloaded under strong
- illumination
-
Dichromat –
need only two wavelengths to match any other wavelength
- Experience
- some color – lesser range than trichromats
- Inherited
- through the X-chromosome – sex-linked
- More
- common in males since they have only one X
- chromosome (XY)
- Females
- have two X chromosomes (XX), so even if one if dichromatic, the other normal
- chromosome compensates
- Females
- can carry the passive gene without experiencing dichromatism
- themselves
-
Anomalous trichromat
– needs three wavelengths to match any other wavelength like anynormal trichromat – BUT, will mix these wavelengths in different proportions
-
Unilateral dichromat
- •Unilateral dichromat – person with trichromatic vision in one eye & dichromatic vision
- in the other eye – extremely rare
-
Types of dichromatism
- Protanopia
- – 1% males & .02% females – perceive
- short wavelengths (blue), as wavelength increases blue become gray
- – neutral point at around 492nm, above the neutral point they abruptly switch
- to yellow – missing long-wavelength pigment
- Deuteranopia
- – 1% males & .01% females – similar to protanopia,
- but neutral point at 498 nm – missing medium-wavelength pigment
- Tritanopia
- – very rare, .002% males & .001% females – sees blue & red, neutral
- point at 570nm – missing short-wavelength pigment
-
Visualization
& Color Scaling
- B+Y- = increases firing to 450nm light,
- inhibits firing to 580nm light
- G+R- = increases firing to 510nm light,
- inhibits firing to 660nm light
- Y+B- and R+G- = increases firing to long wavelengths,
- inhibits firing to short wavelengths
-
Color constancy
- Color constancy
- – ability to perceive the same color under different levels of illumination –
- memory color
-
The Ratio Principle
- Two
- areas that reflect different amounts of light look the same if the ratios of
- their intensities to the intensities of the surrounding areas remain the same
-
Uneven Illumination
- Reflectance
- edge – the point where the reflectance of two
- edges changes – (a) vs. (b)
-
Different cues that signal depth in a scene"
–Oculomotor cues
–Monocular cues
–Binocular cues
- Different
- cues that signal depth in a scene
- –Oculomotor cues - based on our ability to sense the
- position of our eyes & muscle tension
- –Monocular cues
- – work with one eye
- –Binocular cues
- – depend on two eyes
-
convergence
- –cross-eyed” pattern of eyes as they
- bring the image into focus
-
Deletion & Accretion
Deletion & Accretion
- –Deletion – farther object is covered by a
- nearer object due to the sideways movement of the observer relative to the
- object
- –Accretion – Observer moves in the other
- direction – object is uncovered
-
Binocular Disparity
–Differences in the images on the right eye & left eye
-
Corresponding retinal points –
- Corresponding retinal points – places on the retina that would
- overlap if one retina could be slid on top of the other
-
Horopter
– imaginary circle that passesthrough the point of fixation
-
stereopsis
Impression of depth resulting from information provided by binocular disparity -
-
stereoscope – concept used in 3-D movies
Instrument designed from this principle – camera + two lenses –
-
How does the visual system match
the images in the left & right eye?
correspondence problem
-
Three different sized circles having the same visual angle
–View test circles with one eye
- –View test circles through a
- peephole
- –Adding drapes to the hallway to
- eliminate reflection
-
Principle of size constancy –
our perception of an object’s size remains relatively constant even when we view an object from different distances which changes the object’s image on the retina
-
Constancy scaling mechanism
- – equation – as a person walksaway from you, the size of the person’s image on the retina (R) gets smaller,but
- your perception of the person’s distance (D) gets larger. These two
- changes balance each other – you perceive the person’ size(S) as remaining constant
-
Afterimage
– look constantly at a stimulus(bright light) for about a minute, blink & to focus on a blank surface –you will see an “afterimage” of the object
-
Emmert's Law
Farther the afterimage, larger the perceived size – Emmert’s Law
-
veridical perception
– perception that matches the actual physical world
-
Mueller-Lyer Illusion
- Misapplied size constancy scaling – cues that help us perceive 3-D
- create illusions when applied to objects on a 2-D surface
-
Mueller-Lyer Illusion
Conflicting cues theory
line perception depends on two cues
–Actual length of lines
–Overall length of figures
- –The line on the right appears
- longer because overall length of the figure is longer
-
Ponzo Illusion
The horizontal line on top appears longer–Depth information makes is appear farther away
-
Ames Room
Woman on the right appears much larger
- The actual structure of the room is not visible when you look through a
- peephole
- Missing depth information – we judge relative size based on how much of the room the object
- fills
- Woman on the left has a much smaller visual angle than the one on the
- right
-
Moon Illusion
Moon on the horizon appears much larger than when it is up in the sky
- –
- Horizon & elevated moons have same visual angle – but horizon moon appears
- to be farther away since it is on the horizon (it looks closer when it is in
- the sky directly above) – we believe the horizon moon is larger – apparent-distance theory
–
- –Moon
- appears smaller when it is surrounded by larger objects – large expanse of sky
- – angular-contrast theory
|
|