Art history 2 Test one

• hermess and dionysos
• greek classical 480 B.C to 335
• contrapposto stands
• nudity
• idealism
• curtians

where most of the weight is resting on one leg a nature looking shift of body weight an s curve through the body

• head of a roman
• roman republican period 500-30 b.c
• realism

• 1.wrinkles
• baldness
• ears are sticking out
• big nose
• 2. when an work of art is realistic the image is shown in real photo like, imperfection are shown as they are in reality its not subject its not subjective.

when a work of art is idealized the image is shown in a perfected  beautified , manner. not shown as it is in reality its someones opinion of what it looks like.

• 1.the main enter way leading into a mideval christian church
• 2. romanesque period 1,000 to 1150

divides the two doors into two spaces its the support

jambs are the support columns on the left and right of the doors on a medieval church

• central portal from the church of la madaleine
• romanesque period 1000 to 1150
• Vezelay, France

never use naturalism as the only gauge for judging the art you are looking at.

• jamb statues from the west portal of Chartres  cathedral
• gothic period 1150-1550
• Chartres, France
• start to look like naturalism, drapery pulls poses are convincing

• jamb statues from the west portal of reimes cathedral
• Gothic period 1150-1500
• reime, France
• the annunciation and the vistation

is when the virgin Mary is visited by gabeiral the angel and tells her she will have the baby jesus

is when mary finds out shes pregnant she goes to see her cousin (saint elsibeth) and her cousin realizes that Marys pregnant and so is she

proto-renaissance 1250-1400

• Florence 
• siena
• pisa

Nicola-pisano

• the Pisa pullpit
• proto-renaissance 1250-1400
• in the church baptistry in Pisa, Italy
• nicola pisano

• proto-renaissance 1250-1400
• David
• in the baptistery in Pisa, Italy
• nicola- pisano
• contoposto stands , idealism, it has weird looking toes

• the annunciation and nativity panel 
• Nicola-pisano
• the baptistery in Pisa, Italy
• proto-renaissance 1250-1400

• last judgement
• baptistery of Florence in Florence, Italy
• Gothic period 1150-1500
• mosaic

• 1. body proportion are unnaturalistic
• 2.scale not shown naturalistic
• 3.flat gold background
• 4. unnatural pose
• 5. subject seems to float
• 6.flat plan of colors no grading of color
• 7. garments are shown with solid gold lines called striaded shadeing
• 8. the main character is in the center

they line garments with a thin gold line to show highlights

• Madonna enthroned
• Gothic period 1150-1500
• Italy
• virgin Mary w/ Jesus message of salvation for mankind
• italo-byzantine

• rucellai Madonna
• proto-renaissance 1250-1400
• alter-piece egg-tempera on a wooden panal
• uffizi museum Florence, Italy
• italo-byzantine
• duccio from sienese

• 1. makes a contract with the person commissioning the piece of art work
• 2.makes a wood panel to paint on-the artist takes it to a Carpenter size depends on what the customer wants
• poplar,willow,linden were popular trees because the were very dense
• 3.paints the panel with a finely ground gesso while gesso is wet a layer of cloth is laid on the panel than another layer of gesso is put on a student dose these steps. than an artist with charcoal draws the picture on the gesso. Than a craftsman would come in and add a gold layer things like halos this is called (gold leaf) after this a student paints the non major characters and the artist paints the main characters.

• modonna enthroned w/ angels an profits
• Cimabue
• uffizi museum Florence, Italy
• proto-reniassance 1250-1400
• alter-piece egg tempera on a wooden panel
• mostly ital o-byzantine but also reniassance

• Madonna enthroned
• Giotto
• uffizi museum in Florence, Italy
• proto-renaissance 1250-1400
• italo-byzantine and renaissance
• alter-piece egg tempera on a wooden panel

• lamentation
• proto-renaissance 1250-1400
• padua, Italy
• giotto
• mural that is fresco
• renaissance style

to make sorrowful cry

the amount of work that could be done on a fresco in one day

refers to the second step in making a fresco and the type of crayon used

its very rough and coarse plaster used in fresco in the 1st step. mainly lime and sand

refers to a very fine plaster used in the 3rd step in fresco.

• 1. seal the wall with a thick layer of arriccio
• 2. the artist makes a drawing with the sinopia
• 3. a layer of intonaco is applied while plaster is wet a water based paint is applied and it sinks into the wall. not all colors could be used

same as wet but when plaster is dry and the paint must have a boning agent like egg certain paints chemical makeup made it so the would not absorb into the plaster.

• the death of st Frances
• proto-renaissance 1250-1400
• Florence Italy in a fransecian montistry called        
• the Santa Croce =(holy cross)
• Giotto
• Giotto's late fresco style and renaissance
• mural

• annunciation
• martini he is from sena
• proto-reniassance 1250-1400
•  alter-piece egg tempera on a wooden panel
• uffizi museum Florence Italy
• international style

• deep rich colors
• everyone shown rich 
• an event that would take place in a court
• use of gold