-
Lygia Clark, Bicho, 1962, aluminium
-
Lygia Clark, Obra Mole, 1964, rubber
-
Lygia Clark Ar e Pedra (air and stone), 1966 (destroyed) inflated plastic bag and stone
-
Lygia Clark, Mandala, part of her series collective body, 1969 elastic bands
-
Lygia Clark, Anthropophagic slobber, 1973, string and saliva
-
Lygia Clark, Individual therapy with relational objects, 1975-80, Rio de Janeiro
-
Hélio Oiticica, Nucleus 1, 1960 , painted wood, mirror
-
Hélio Oiticia, Grand Nucleus, 1960-63, acrylic on wood panels and gravel (installed in 1988 at "Brazil Projects" at PS1, Long Island City)
-
Hélio Oiticica, Box Bolide 9, 1964, painted wood, painted glass, pigment
-
Hélio Oiticica, Glass Bolide 3, 1964, glass, plastic, canvas, pigment
-
Hélio Oiticica, Parangolé (nildo de Manguera wearing P4 cape I, "Iembody revolt") 1964, straw and stuffed burlap
-
Hélio Oiticica, "Tropicalia, 1967, environment, exhibited in New Brazilian Objectivity at Museum de Arte Moderna, Rio de Janeiro
-
Hélio Oiticica, Eden, Whitechapel Experience, 1969, installation at Whitechapel Gallery, London
-
José Luis Cuevas, Portrait from life: Insane Person, 1954, pen ink and wash on paper
-
José Luis Cuevas, Portrait of Kafka and his Father, From the series The Worlds of Kafka and Cuevas, 1957, pen and wash on blue paper
-
Luis Felipe Noé, Closed for Sorcery, 1963, oil and collage on canvas
-
Luis Felipe Noé, Introduction to hope, 1963, oil and collage on canvas, 9 panals
-
Jorge de la Vega, The mirror at the End of the Stairs, 1963, mixed media on canvas
-
Marta Minujín (Argentina), Obelisk of Sweet Rolls, From Myths and the law of Gravity series, 1980, wire frame covered with 10,000 packages of sweet rolls, Buenos Aires
-
Beatriz González (Colombia), Greetings from Saint Peter, 1971, enamel on metal sheets painted on 3 metal nightstands
-
Nirma Zárate and Diego Arango( Taller 4 Rojo, Comolbia), Imperoalist Aggression, 1972 Three photo-serigraph posters
-
Pedro Alcántara ( Colombia), Oh waht Death Do you Sleep, Arise, From The "the bodies series, 1967-68, ink drawing
-
Antonio Henrique Amaral( Brazil) Alnoe in Green, 1973, oil on canvas
-
Cildo Merieles, The Southern Cross (Cruzeiro do Sul), Wood Cube (1 section pine, 1 section oak), 1969-70
-
Cildo Merieles, How to Bild Cathedrals, 1989, recreated in 1992, 600,000 coins, 800 communion wafers, 2,000 cattle bones, 86 paving stones, black cloths and lights
-
Catalina Parra, Diary of Life (or newspaper), 1977, newspaper, acrylic, sheets, and bolts
-
Cildo Merieles, (Brazil), Ideological Circuits: Coca Cola Project, Coca Cola Bottles and silkscreen text, 1970
-
Jorge de la Vega, the storm , 1962, ink on paper Otra Figuracion
|
|
