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Opera
- Le musiche sopra l'Euridice by Jacopo Peri 1600
- L'Orfeo by Claudio Monteverdi 1607
- Orontea by Antonio Cesti 1656
- Armide by Jean-Baptiste Lully 1689
- Dido and Aeneas by Henry Purcell 1689
- La purpura de la rosa by Tomas de Torrejon y Velasco 1701
- La Griselda by Alessandro Scarlatti 1720-21
- Hyppolyte et Aricie by Jean-Philippe Rameau 1733
- Giulio Cesare by George Frideric Handel 1724
- (Little Lucy of Atlanta doesn't like lazy Henry's gift)
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Cantata
- Lagrime mie by Barbara Strozzi 1659
- Clori vezzosa, e bella
by Alessandro Scarlatti 1720-21 - Nun Komm, der Heiden Heiland by J.S. Bach 1724
- (love crazy nuns)
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Motet (solo and grand)
- O quam tu pulchra es by Alessandro Grandi 1625 (solo)
- Te Deum: Conclusion by Jean-Baptiste Lully 1677 (grand)
- (ocean time)
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Sacred Concerto
- In ecclesiis by Giovanni Gabrielli 1610
- O liebe Herre Gott, Kleine geistliche Konzerte I by Heinrich Schutz 1636
- Saul, was verfolgst du much, Symphoniae sacrae III by Heinrich Schutz 1650
- (Incredible orgasmic surprise)
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Oratorio
- Historia de Jephte by Giacomo Carissimi 1648
- St. Matthew's Passion, no. 49 by J.S. Bach 1727
- Saul
by George Frideric Handel 1738 - (hate stinky socks)
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Song
- Mira, deh mira Orfeo from L'Orfeo by Claudio Monteverdi 1607
- Excerpt from La purpura de la rosa by Tomas de Torrenjon y Velasco 1701
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Aria (11)
- Nel Pur ardor from Le musiche sopra l'Euridice by Jacopo Peri 1600
- Vi ricorda o boschi ombrosi from L'Orfeo by Claudio Monteverdi 1607
- Lasciatemi Qui Solo by Francesca Caccini 1618
- Act I, scene 3 from L'incornazione di Poppea by Claudio Monteverdi 1642
- In torno all' Idol mio from Orontea by Antonio Cesti 1656
- When I am laid in earth from Dido and Aeneas by Henry Purcell 1689 (ground bass aria)
- Si, si ben mio from Clori vezzosa, e bella by Alessandro Scarlatti 1690-1710
- Act I, scene 2 from La Griselda by Alessandro Scarlatti 1720-21 (Da capo aria)
- V'adoro, Pupille from Giulio Cesare by George Frideric Handel 1724 (Da capo aria)
- Bewundert, o menschen from Nun Komm, der heiden Heiland by J.S. Bach 1724
- Streite, siege, starker Held! from Nun Komm, der heiden Heiland by J.S. Bach 1724
- (Never Visit LA In Winter Since Advent Vacations Bring Snow)
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Recitative
- Per quell vago boschetto from Le musiche sopra l'Euridice by Jacopo Peri 1600
- Ahi, caso acerbo from L'Orfeo by Claudio Monteverdi 1607
- Tu, se' morta from L'Orfeo by Claudio monteverdi 1607
- O liebe Herre Gott from Kleine geistliche Konzerte I by Heinrich Schutz 1636
- Act 1, scene 3 from L'incornazione di Poppea by Claudio Monteverdi 1642
- Plorate colles from Historia de Jephte by Giacomo Carissimi 1648
- E che si fa? from Orontea by Antonio Cesti 1656
- Enfin il est en ma puissance from Armide by Jean-Baptiste Lully 1686
- Thy Hand Belinda from Dido and Aeneas by Henry Purcell 1689
- Vivo Penando from Clori vezzosa, e bella by Alessandro Scarlatti 1690-1710
- Conclusion from Hippolyte et Aricie by Jean-Phillipe Rameau 1733
- So geht aus Gottes Herrlichkeit unt Thron from Nun Komm, der Heiden Heiland by J.S. Bach 1724
- Wir ehren diese Herrlichkeit from Nun Komm der Heiden Heiland by J.S. Bach 1724
- Esequisti from Giulio Cesare by George Frideric Handel 1724
- V'adoro, pupille from Giulio Cesare by George Frideric Handel 1724
- The Time at Length is Come from Saul by George Frideric Handel 1738
- Where is the Son of Jesse? from Saul by George Frideric Handel 1738
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Air
Enfin il est en ma puissance from Armide by Jean-Baptiste Lully 1686
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