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Francisco Goya (Spain). The Third of May, 1808: the Execution of the Defenders of Madrid, 1814. Oil on canvas, 8 ft. 6 in. x 10 ft. 4 in. [Emphasis / focus]
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El Greco (Spain). Resurrection, c.1597-1610. Oil on canvas, 9' 1/4" x 4' 2". [Proportion]
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Le Corbusier (France). The Chapel at Ronchamp (aka Notre-Dame-du-Haut), France. Exterior View from Southeast. 1950-55. [Scale and Proportion – i.e. taking the human scale into account]
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Yusho Kaiho (Japan). Drying Fishnets in the Four Seasons, circa 1610. Ink, color and gold on paper, ca. 1610. 66 1/6 x 148 1/2 in. [Rhythm]
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Edgar Degas (France, Impressionism). Dancer Adjusting Her Slipper, 1873. Graphite pencil and charcoal heightened with white chalk on paper, 12 7/8" x 9 5/8". [Line]
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Julie Mehretu (b. Ethiopia, raised U.S.). Empirical Construction, Istanbul, 2003. Ink and acrylic on canvas, 120 by 180 in. [Line and Space]
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Leonardo da Vinci, Last Supper, ca. 1485-1498. Fresco, oil, tempera and varnish on plaster, 15 ft. 1 1/8 in. x 28 ft. 10 1/2 in. [Linear perspective]
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Jean-Auguste-Dominique Ingres, La Comtesse dʼHaussonville. 1845. Oil on canvas, 51 7/8 x 36 3/16". The Frick Collection, New York. [Oil Media]
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Romare Bearden, The Dove, 1964. Cut-and-pasted paper, gouache, pencil and colored pencil on cardboard, 13 3/8" x 18 3/4". [Collage]
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Matthew Ritchie. Parents and Children, 2000. Acrylic marker on wall, enamel on sintra; variable dimensions. [Installation]
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Mary Cassatt (U.S.), Woman Bathing, 1891. Drypoint and aquatint, 14 5/16" x 10 1/2". [Printmaking]
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