AHRI 2400 Prof. Crain Test 3 part1

• The Gross Clinic
• Eakins
• 1875

• Herschel
• Cameron
• 1867

• Wisteria Blooms over Water at Kameido
• Ando Hiroshige
• 1856

• Saint-Lazare Train Station
• Monet
• 1877
• impressionism

• Impression, Sunrise
• Monet
• 1872
• impressionism

• La Grenouillere
• Monet
• 1869
• impressionism

• Paris, A Rainy Day
• Caillebotte
• 1877
• impressionism

• Place de la Concorde
• Degas
• 1875
• impressionism

• Mary Cassatt at the Louvre
• Degas
• 1879/80
• impressionism

• The Bath
• Cassatt
• 1892
• impressionism

• Maternal Caress
• Cassatt
• 1891
• impressionism

• Bathers at Asnières
• Seurat
• 1883/84
• post-impressionism : pointalism

• Sunday Afternoon on the Island of La Grande Jatte
• Seurat
• 1884/86
• post-impressionism : pointalism

• Starry Night
• Van Gogh
• 1889
• post impressionism

• Self-Portrait with Bandaged Ear
• Van Gogh
• 1889
• post-impressionism

• Mont Ste. Victoire
• Cézanne
• 1902/04
• post-impressionism

• Basket of Apples
• Cézanne
• 1895
• post-impressionism

• The Large Bathers
• Cézanne
• c.1879/82
• post-impressionism

• The Gates of Hell
• Rodin
• 1880 – 1917

• Joy of Life
• Matisse
• 1905
• Fauvism

• Les Demoiselles d’Avignon
• Picasso
• 1907
• primitivism/cubism

• Houses at L’Estaque
• Georges Braque
• 1908
• cubism

• Houses on a Hill
• Picasso
• 1909
• cubism

• Ma Jolie (Woman with a Guitar)
• Picasso
• 1911/12
• cubism

• La Portuguese
• Braque
• 1911/12
• cubism

a technique of painting in which small, distinct dots of pure color are applied in patterns to form an image. Georges Seurat developed the technique in 1886, branching from Impressionism.

• wrote "The Principles of Harmony and Contrast of Colours, and Their Applications to the Arts"
• Color Theorist

• an epic poem written by Dante Alighieri between 1308 and his death in 1321.
• The poem's imaginative and allegorical vision of the Christian afterlife is a culmination of the medieval world-view as it had developed in the Western Church.

• Les Fauves (French for The Wild Beasts) were a short-lived and loose grouping of early 20th century Modern artists whose works emphasized painterly qualities and strong colour over the representational or realistic values retained by Impressionism.
• The leaders of the movement were Henri Matisse and André Derain.