ARTH 103 Final

The Joy of Life, Mattise, 1906

Les Demoiseles d'Avignon, Picasso, 1907

The Portugese, Braque, 1911

Street Dresden, Kirchner, 1908

Mystery and Melancholy of a Street, Chirico, 1914

Nude Descending a Staircase, Duchamp, 1912

Bird in Space, Brancusi, 1928

Fountain, Duchamp, 1917

The Persistence of Memory, Dali, 1931

Object (Luncheon in Fur), Oppenheim, 1936

Composition wirh Red, Blue, Yellow, Mondrian, 1930

Guernica, Picasso, 1937

The Liver is the Cock's Comb, Gorky, 1944

Autumn Rhythm, Pollock, 1950

Woman I, de Kooning, 1950-52

Odalisk, Rauschenberg, 1955-58

Three Flags, Jasper Johns, 1958

Untitled, Donald Judd, 1969

Spiral Jetty, Smithson, 1970

The Dinner Party, Judy Chicago, 1979

To the Unknown Painter, Anslem Kiefer, 1983

Untitled Film Still #15, Cindy Sherman, 1978

abstract treatment of volume and space the basic units from which to derive the faceted shapes

example, The Portugese

cubism involving collaged elements, paper elements pasted onto the canvas

• beginning of german expressionism
• "the bridge" to the future
• opposed to older well established powers
• four architecture students including Kirchner and Heckel

• "the blue rider"
• second major german expressionism group
• focused on expressing spirituality
• Kandinsky

• disgust of art
• anti-art
• foundation lay in chance occurances and the absurd
• logic and reason had led to war
• fundamental challenge to the status quo in politics

• association and obsession with speed, new experiences, technology
• appreciation of time

• term of the futuristic movement
• describe a concept pertaining to an object's motion, both intrinsic and relative to its environment

• russian brainchild of Malevich
• supremacy of feeling
• abstract essence of the world translated into painting
• new abstract language

• simplification to straight lines and rectilinear forms
• "the style"
• new utopian ideal of spiritual harmony and order

• come from Dada
• philosophical revolutionary movement
• tapped into the unconcious
• literary movement

• expression of the subconcious
• more randomly drawing
• art which comes from within

• placed NYC at the center of the arwork
• works of Pollock, etc
• emotional intensity
• anti0figurative aesthetic

• popular imagery and absurdist contrast
• after Dada
• Jasper Johns, etc.

• eliminates all non-essential forms
• reductive aspects of modernism

extension of fine arts to include pop culture imagery

• landscape and art are inextricably linked
• nature is the medium of art

• performance is the medium of art
• presented to an audience

• concept and idea take precedence over athestics
• includes installment art