Lit terms Unit B

multiple meaning; lack of clarity in a work consciously used a a phase of the author's view of his/her world or characters and reflecting the vagueness of life

the incorporation of an event, scene, or person who does not correspond with the time period portrayed in the work

the rhetorical opposition or contrast of words, clauses, or sentences

a plot that repeats basic historical or primitive life patterns; from the psychology of Carl Jung

inflated language; the use of high-sounding language for a trivial subject

a cleansing of the spirit of the spectator at a tragedy through experiencing the emotions of pity and terror, as expressed in Aristotle's Poetics

a feeling of associtation or identification with an object; experiencing its sensations and responding with similar feelings

returningto an earlier time in a story or play for the purpose of clarifying present actions or circumstances

a character in a work of literature whose physical or psychological qualities contrast strongly with, and therefore highlight, the corresponding qualities of another character

providing hints of things to come in a story or play

a form of understatement in which the negative of the contrary is used to achieve emphasis and intensity

refined and tender emotion in literature; sometimes used derisively to represent insincerity or mawkishness

an attribute or quality of a thing; a work of literature may be written in a particular mode

a device that serves an a unifying agent in conveying a theme; a recurrent image, phrase, or idea

similar to truth; the quality of realismin a work that persuades the reader that he/she is getting a vision of life as it is

a narrative technique in which characters representing things or abstract ideas are used to convey a message or teach a lesson; is typically used to teach moral, ethical, or religious lessons but is sometimes used for satiric or political purposes

it refers to any experimental work of fiction that avoids the familiar conventions of the novel; usually fragments and distorts the experience of its characters, forcing the reader to construct the reality of the story from a disordered narrative

a German word meaning "novel of development"; is a study of the maturation of a youthful character, typically brought about through a series of social or sexual encounters that lead to self-awareness

a type of poem or prose lamenting or meditating on the death of a person of pet

a concluding statement or section of a literary work

a plot consisting of a series of disconnected events

a novel in the form of letters; was particularly popular in the 18th century

a word or phrase, often disparaging or abusive, that expresses a character trait of someone or something

a piece of writing, often journalistic, meant to reveal or expose weakness, faults, frailties, or other shortcomings

a short story designed to teach a useful lesson; its characters are usually animals or inanimate things

the creation of unreal worlds and people, bearing a relation to the real

in common usage, the attitude that emphasizes human interests; an optimistic view of human potential

a quick succession of images or pictures to express an idea; used primarily in films

the lesson a reader infers from a story, poem, or other piece of literature

the lesson a reader infers form a story, poem, or other piece of literature

a solidly conceived, but entirely imaginative world, with beliefs and values, created by an author; a story that forms part of the beliefs of a faith in which people no longer believe

a novel in which the examination of intellectual issues and concepts takes precedence over chacracterization or a traditional stroyline

a novel that examines the customs and mores of a cultural group

similar to allegory, but shorter; a story in which the author intends that the reader will relate the events of the story to some moral or spiritual truth

episodic ficiton depicting the adventures of a roguish central character; the rogue hero is commonly a low-born but clever individual who wanders into and out of various affairs of love, danger, and farcical intrigue. these involvements may take place at all social levels and typically present a humorous and wide-ranging satire of a given society

a novel describing real-life events behind a facade of fiction. The "key", not present in the text, is the correlation between events and characters in the novel and events and characters in real life

a group of Southern American writes of the 1930s and 1940s who fostered an economic and cultural program for the South based on agriculture, in opposition to the industrial society of the North; can refer to any group that promotes the value of farm life and agricultural society

as distinguished from Dionysian, refers to the noble qualities of human beings and nature as opposed to the savage and destructive forces

in a strict sense, refers to an elaborate style of architecture that followed classicism; in general usage, it refers to elaborate and unstructured style

a literary composition that aims to provoke laughter by ridiculing serious works; a grotesque imitation of the dignified or pathetic

derives from the orderly qualities of ancient Greek and Roman culture; usually implies objecitivity and simplicity, restraint and formality

a word, phrase, or form of pronunciation that is acceptable in casual conversation but not in formal, written communication

as in Greek theatre, is the employment of any artificail device or gimmick that the author uses to solve a difficult situation

as distinguished from Apollonian, refers to the sensual, pleasure-seeking qualities of man and nature

as expressed in the works of such writes as Kafka, Camus, and Faulkner, is a view of life that emphasizes existence as opposed to essence; human beings are presented as unable to solve the basic enigmas of life

a form of art in which the artist depicts the inner essence of man and projects his view of the world as colored by that essence

Aristotle's term for the protagonist's tragic flaw or tragic error of judgment

Aristotle's term for the pride of the tragic hero that leads him to ignore or overlook warnings of impending disaster or to break moral laws

in writing, the presentation of salient features of a scene, event, or person as they appear to the author at the time; a highly personal approach

Literary era spanning from the beginning of the twentieth centure through WWII; is characterized by its rejection of the literary conventions of the 19th century and by its oppostion to conventional morality, taste, traditions, and economice values. Writes experimented not only with content but with form, perspective, and style

also known as the Age of Reason or Enlightenment; describes a period in European history spanning the end of the seventeenth century through 1800. The period is marked by a revival of interest in classical forms of literary and artistic expression, emphasizing a return to order, logic, proportion, restraint, accuracy, and decorum

Based on the theores of Emile Zola, this literary movement of the late 19th and early 20th centuries sought to examing human life with the objectivity of scientific inquiry; works tended to focus on the biological and sociological causality of poverty. insanity, disease, alcoholism, and prostitution

writing from the 1950s forward characterized by experimentation and continuing to apply some of the fundamentals of modernism, which included existetialism and alienation. ___ists have gone a step further in the rejection of traditio begun with the modernists by also rejecting traditional form, preferring the anti-novel over the novel and the anti-hero over the hero

in literature and art, the depiction of idealized, fabulous, or fantastic charcters and events; the stories abound in dashing, extravagant adventures, characters of extreme virtues or faults, exotic worlds, strong and inflexible loyalities, and idealized love-making

in literature and art, an attempt to reproduce and interprett the visions and images of the unconscious mind as manifested in dreams; characterized by an irrational arrangement of bizarre experiences

a form of romanticism, largely of a philosophical nature. Associeted with Emerson and Thoreau