-
- *Figure 17-25 MICHELANGELO BUONARROTI, plan for Saint
- Peter’s, Vatican City, Rome, Italy, 1550 (1) dome, (2) apse, (3) portico.
-
- MICHELANGELO
- Saint Peter’s looking NE 1550
- Dome completed by GIACOMO DELLA PORTA, 1600
- BAROQUE
-
- Aerial
- view of Saint Peter’s
- arms(piazza) made by BERNINI, 1650
-
- MADERNO, facade of Saint Peter’s,
- 1600
-
- BORROMINI, facade of San Carlo alle
- Quattro Fontane,
- 1650
- four fountain
-
- BORROMINI, plan of San Carlo alle
- Quattro Fontane,
- 1650
-
- WREN, new Saint Paul’s Cathedral
- 1700
-
- Chateau de Chambord, Chambord,
- France, begun 1519
-
- lescot
- west wing of the
- (Square Court) of the Louvre
- 1550
-
- PALLADIO, Villa Rotonda
- 1550
-
- *Figure 21-28 THOMAS JEFFERSON
- 1750.
-
Why prints?
THE MULTIPLE
As a result, they are:
-
ALBRECHT DÜRER, The Fall of Man　(Adam and Eve), 1504. Engraving,
-
- *FRANCISCO GOYA, The Sleep of Reason
- Produces Monsters, from Los Caprichos, ca. 1798. Etching and aquatint, 8
- 1/2"x 6"
-
- HONORÉ DAUMIER, Rue Transnonain,
- 1834. Lithograph, approx. 1'x 1'5 1/2"
-
- *HONORÉ DAUMIER, Nadar
- Raising Photography to the Height of Art, 1862. Lithograph, 10 3/4" x 8
- 3/4"
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