Exam #3 - Lecture Questions

He was the leading artist in the second half of the 15th century.

The composition of this painting by Andrea Mantegna derives from Jacopo Bellini.

The ceiling of Camera degli Sposi is this artists most astonishing perspective feature.

This frescoe by Andrea Mantegna climxes almost a hundred years of perspective

This painting represents Mantegnas LATE style

His most significant technical innovation is printmaking

This artiost bathes his figures pictir qith atmospheric luminosity. He fuses together compositional qualities if Flemish painting and Piero's luninosity.

There was so much Netherlandish influence in this painting there was a debate on who the artst was.

The principles established by the artist in the High Renaissance will influence artist for the next 300 years.

The High Renaissance dominates in this city.

These three artists occupy new and lofy artistic ground.

High Ren style is founded on research by this artist .

Born near Florence. He was in Verocchios bottega.

_______ decided for classical antiquity, he
accepted neither authority of the church or the classical.

The central plan idea originates with this artist.

The distance in this painting by Da Vinci is rendered with this characteristic.

This unfinished painting by da Vinci is of of his most powerful expressions of his metaphorical thinking.

Few figural compositions of the 15C have the same psychic impact as this painting by Signorelli.

This portrait by Perugino marks a new development in portraiture and is the ancestor to Raphael’s portraits.

This artist arrives at the threshold of the High Renaissance, but does not cross it.

This painter is the first major Northern Italian artist to experience the full force of Florentine Italian Renaissance and is the leading painter in Florence? In the second half of the 15C.

This city becomes the artistic capital, not Florence, and gives rise to the High Renaissance.

The three great genii of the Italian Renaissance are

Da Vinci had practically no influence on French artists.

True or False
True False

Bramante was one of the creators of the High Renaissance and he was a favorite of Pope Julius II.

T or F
True False

Under Brunelleschi, Alberti, and Da Vinci, this artist develops the High Renaissance form of the central church plan.

• Bramante lays the foundation for High Renaissance architecture.

T or F ?
True False

• The new joy in nature and profound religious reverence in art, and landscapes of poetry is _______’s contribution.

This guy never ceases to develop his technique and creates the Venetian Style.

• The towering painter of the last 40 years of the 15C is

________ is the greatest Northern Italian Renaissance architect of Florence—he is the only 16C architect that ranks with Bramante and Michelangelo.

Venetian architects built many of the palazzos in Venice

True or False
True False

________ is the most original sculptor in working in Italy in his time

______________ is the greatest Mannerist sculptor of the period and for 200 years after his career he had a reputation comparable to Michelangelo’s.

_______ sums up Italian and French Mannerism.

________ influences European court portraits for 100 years.

• The Palazzo Farnese by Sangallo, the Younger set the standard for High Renaissance architecture through the 16C for Palazzo’s.

T or F
True False

In Raphael’s painting : __________ , the Medieval ideal of double scale is abandoned for the first time.

16C Italian art is dominated by Raphael.

T or F
True False

• Michelangelo’s Last Judgment set the pattern for devastation of this theme, but Signorelli could match the torment.

T or F
True False

Unlike _________who breaks away from, Michelangelo unifies sculpture.

________'s art began in the 15C and he idealized the High Renaissance, at the end of his life he broke the rules of and drifted towards Mannerism and Baroque.

_________ is probably the only Renaissance artist to transfer rich color from panel painting to frescoes.

____________ is one of the most important and original painters in Northern Italy and develops a unique Northern Italian Renaissance art that is hard to classify.

Pontormo is the leading painter in the middle 17C in Florence.

T or F

True

Fiorentino works under the Florentine School of painting and introduces this style to Venice.

T or F

Fiorentino helped spread Italian Mannerism through Northern Italy.

True or False

Da Vinci is the first Italian painter to take up etching.

True or False

With Bellini, Venetian art becomes the great compliment of Florentine and Roman schools.

True or False
True False

The new joy in nature and profound religious reverence in art, and landscapes of poetry is Coreggio's contribution.
True False

• Distance is rendered with da Vinci’s use of sfumato, which was his particular brand of chiaroscuro.

True or False
True False