-
some stylistic characteristics of baroque art
•theatrical art and architecture
- •designed to overwhelm the senses &
- emotions
- •unprecedented grandeur and very ornate
- decoration
•compositions with diagonals
•dramatic contrasts of light and dark
•a sense of movement and energy
- •design elements used to include the
- viewer in the artistic space
-
- Saint Peter’s
- Piazza designed by GIANLORENZO BERNINI, 1656-1667.
-
- BERNINI, baldacchino,
- Saint Peter’s
- 1624–1633.
-
- GIANLORENZO
- BERNINI,
- David,
- 1623. Marble
-
- GIANLORENZO BERNINI,
- inerior of the Cornaro
- Chapel, 1645-1652.
-
- GIANLORENZO
- BERNINI, Ecstasy of Saint Teresa
- 1645–1652
-
- CARAVAGGIO,
- Conversion of Saint Paul, ca. 1601. Oil on canvas
-
- CARAVAGGIO,
- Calling of Saint Matthew, ca. 1597–1601. Oil on canvas,
-
- CARAVAGGIO,
- Entombment
- 1603. Oil on canvas
-
- GENTILESCHI, Judith
- Slaying Holofernes,
- 1614–1620. Oil on canvas
-
- VELÁZQUEZ,
- Water Carrier of Seville
- 1619. Oil on canvas
-
- King Philip IV of Spain 1644. Oil on canvas
- velasquez
-
- PETERPAUL RUBENS, Elevation of the Cross
- 1610. Oil on wood
-
PETER PAUL RUBENS, Arrival of Marie de’ Medici 1622–1625. Oil on canvas
-
- Rubens,
- The Presentation of Her Portrait
- to Henry IV
-
- HENDRICK
- TER BRUGGHEN, Calling
- of Saint Matthew,
- 1621. Oil on canvas.
-
- CLARA
- PEETERS, Still Life with Flowers, Goblet,
- Dried Fruit, and Pretzels,
- 1611. Oil on panel
-
- PIETER
- CLAESZ, Vanitas Still Life, 1630s. Oil on panel
-
- WILLEM
- KALF, Still Life with a Late Ming Ginger
- Jar, 1669. Oil on canvas
-
- RACHEL RUYSCH,
- Flower Still Life, after 1700. Oil on canvas
-
- REMBRANDT
- Anatomy Lesson of Dr. Tulp,
- 1632. Oil on canvas
-
- REMBRANDT
- (Night Watch), 1642. Oil on canvas (cropped from
- original size)
-
- zREMBRANDT
- , Return of the Prodigal Son, ca. 1665. Oil on canvas
-
- REMBRANDT
- Self-Portrait, ca. 1659–1660. Oil on canvas,
-
- REMBRANDT
- (Hundred Guilder Print),
- ca. 1649. Etching
-
- JACOB
- VAN RUISDAEL, View
- of Haarleaam from the Dunes at Overveen, ca. 1670. Oil on canvas
-
- JAN
- VERMEER, Allegory of the Art of Painting, 1670–1675. Oil on canvas,
- Clio is the figure being painted and she represents history.
- Camera obscura.
- circles of confusion-in/out of focus
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