-
- Jacopo
- Barbari,
- View of Venice, 1500.
- Woodcut.
-
- GIOVANNI
- BELLINI, San Zaccaria Altarpiece, 1505. Oil on wood transffered to canvas
-
- GIOVANNI
- BELLINI and TITIAN
- Feast of the Gods,
- 1529. Oil on canvas
-
- GIORGIONE
- DA CASTELFRANCO (and/or TITIAN?)
- pastoral symphony
- 1508–1510. Oil on canvas
-
- TITIAN,
- Assumption of the Virgin,
- 1516–1518.
- Oil on wood
-
- TITIAN,
- Madonna of the Pesaro Family, 1519–1526.
- Oil on canvas
-
- TITIAN,
- Meeting of Bacchus and Ariadne
- 1522–1523. Oil on
- canvas
-
- titian,
- Venus of Urbino, 1538. Oil on canvas
-
- TITIAN,
- Isabella d’Este, 1534–1536. Oil on canvas
-
- JACOPO
- DA PONTORMO,
- Entombment of Christ
- 1525–1528. Oil on wood
-
- BRONZINO,
- Venus, Cupid, Folly, and Time
- 1546.
- Oil on wood
-
- TINTORETTO,
- Last Supper, 1594. Oil on canvas
-
- PAOLO
- VERONESE, Christ in the House of Levi
- 1573. Oil on canvas
-
Mannerism
•Recognize basic features of Mannerism
–Elongated and distorted figures
- –Less emphasis on balance, symmetry, and
- rational composition (values of High Renaissance)
–Unusual lighting effects
- •Compare and contrast Mannerist painting
- with that of the High Renaissance
-
venetian painting
- •Realize that Venetian painters were among
- the earliest to use oil painting in Italy
- •Result of oil painting --- Venetian
- paintings are known for their rich colors
- •Notice that Venetian paintings are often
- sensuous
•Disegno/Colore Line or Drawing vs. Color
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