Italian Renaissance Exam #2 Part 2



  1. Vision of St.Jerome ; Artist? Time Period?
    Andrea del Castagno ; Mid 15th Century
  2. Andre del Castagno anticipates baroque compositions by ________.
    Rendering parts of figure outside of the frame


  3. Niccolo da Tolentino; Artist? Time Period?
    Andrea del Castagno . Mid 15th
  4. Domenico Veneziano is from __________.
    Venice, venitian
  5. This artist was interested in light and color.
    Domenico Veneziano

  6. Saint Lucy Alterpiece ; Artist ? Time Period?
    Domenico Veneziano ; Mid 15th
  7. This mid-15th century artist brought a new way of looking at light and color.
    Domenico Veneziano
  8. In this painting the shadows contain light and reflected color, not dark shadows
    Saint Lucy Alterpiece by Domenico Veneziano

  9. S.John the Baptist in the Desert ; Artist? Time Period?
    Domenico Veneziano ; Mid 15th
  10. This work by Domenico Veneziano was clearly inspired by Greek and Roman sculpture
    S.John the Baptist predella

  11. Madonna and Child ; Artist? Time Period?
    Domenico Veneziano ; Mid 15th


  12. Baptism of Christ ; Artist? Time Period ?
    Piero della Francesca ; Mid 15th
  13. This painter was the greatest Tuscan painter of the 15th century.
    Piero della Fracesca
  14. More than any of his contemporaries this artist managed to exemplify knowledge of form and color principles
    Piero della Francesca
  15. In his later years this artist wrote a treatise on perspective.
    Piero della Francesca
  16. This painting by Piero della Francesca was a landmark in approach to monumental landscape domintaed buy monumental figures.
    Baptism of Christ

  17. The Resurrection ; Artist? Time Period?
    Piero Della Francesca ; Mid 15th Cen
  18. This artist isn’t interested in the inherent
    drama in the events he paints. There is a quiet stilness in his work.
    Piero della Francesca
  19. This artist introduces a compositional advancement,
    triangular shape with figure as central axis.
    The triangular massing of forms gives great stability and symentry
    Piero della Francesca

  20. “Discovery & Recovery of the True Cross Frescoe (based on the Golden Legend), ; Artist ? Time Period?
    Piero della Francesca ; Mid 15th Cen
  21. This is Peiro della Francesca's single most impressive frescos series.
    Discovery and Recovery of the True Cross


  22. Annunciation (on True Cross Frescoe) ; Artist? Time Period?
    Piero della Francesca ; Mid 15th

  23. “Discovery of the Wood of the True Cross & Meeting of Solomon & Queen of Sheba” ; Artist? Time Period ?
    Piero della Francesca ; Mid 15th Cen
  24. This facade by Piero della Francesca is one of the most memorable in Renaissance architecture.
    “Discovery of the Wood of the True Cross & Meeting of Solomon & Queen of Sheba”

  25. Flagellation of Christ ; Artist ? Time Period?
    Piero della Francesca ; Mid 15th

  26. “Madonna and Child with Saints,” (the

    Brera Altarpiece) ; Artist? Time Period?
    Piero della Francesca ; Late 15th

  27. “The Adoration of the Child,” : Artist? Time Period?
    Piero della Francesca ; Late 15th

  28. The Count of Urbino ; Artist? Time Period?
    Piero della Francesca ; Late 15th Century
  29. This artist was aware of Netherlandish painting - maybe even Jan van Eyck.
    Piero della Francesca

  30. “Triumph of Federico da Montefeltro” and “Triumph of Battista Sforza,” Artist ? Time Period?
    Piero della Francesca ; Late 15th
  31. Most of stylisitic and scientific painting in 15th century; delicate landscapes , human muscles, monumanetal compositions, great light and color are from this artist .
    Piero della Francesca
  32. This artist studied with Domenico Veneziano.
    Piero
  33. He wrote first treatise on aerial perpective.
    Piero
  34. This artist was the greatest master of landscape and light in the 1430s.
    Fra Angelico

  35. Descent From The Cross ; Artist? Time Period?
    Fra Angelico ; Early 15th
  36. This artist utilizes light and landscape better than any other artist in Renaissance.
    Fra Angelico

  37. “Annunciation and Scenes from the Life of the Virgin,” Artist? Time Period?
    Fra Angelico ; Early 15th Century
  38. This artist has a taste for pattern and detail. His work shows Flemish painting influences.
    Fra Angelico

  39. “Madonna and Saints” (S. Marco Altarpiece) ;
    Artist ? Time Period
    Fra Angelico ; Mid 15th
  40. This painting is one of Fra Angelica's most sustained paintings
    S. Marcos Frescoes - Madonna and Saints
  41. Who was Fra Angelico's teacher?
    Lorenzo Monaco
  42. Fra Angelico was trained in this style.
    International Gothic Style
  43. This artists style gives off a delicate spirituality.
    Fra Angelico

  44. “Miracle of the Deacon Justinian,” predella from S. Marco Altarpiece ;
    Artist? Time Period?
    Fra Angelico ; Late 15th

  45. “Beheading of Sts. Cosmas and Damian,” predella from S. Marco Altarpiece ;
    Artist? Time Period?
    Fra Angelico ; Late 15th

  46. “Coronation of the Virgin,” Monk’s cell, Monastery of S. Marco ; Artist ? Time Period?
    Fra Angelico

  47. “Transfiguration,” Monk’s cell, Monastery of S. Marco ; Artist ? Time Period?
    Fra Angelico ; Mid 15th
  48. Fra Filippo Lippi's influence was _________.
    Massacio
Author
jguzman26
ID
136975
Card Set
Italian Renaissance Exam #2 Part 2
Description
Dr.Martin Francis; Lecture Notes
Updated