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The physical stimulus for audition is the;
sound wave
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Sounds are created when;
objects vibrate
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Area of refractions-
when there is a lot of room between molecules
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Compression
air molecules are compacted together
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Less frequency waves=
lower sounds
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Frequency
- Number of pressure changes per cycle
- Measured in hertz (Hz)
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1Hz =
one cycle per second
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Pitch
Our perception of frequency
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Amplitude
- Amount of change in pressure
- Also called intensity
- Measured in decibels (dB)
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Loudness
Our perception of amplitude
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Decibels
- measures the physical intensity of sound
- Logarithmic scale
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Reletively small decibel changes can correspond to;
large physical changes
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An increase in 6dB;
Doubles the amount of sound pressure
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Typical threshold is;
1-2 dB
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Complexity
- Number of different frequencies in a sound
- Physical
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Fundamental
- lowest frequency
- Determines pitch
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Harmonics
Higher pitched tones related to the fundamental (makes things sound good or bad)
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Fourier Analysis and Hearing:
Any complex tone can be represented as a series of simple tones (sine waves)
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Fundamental + 2nd harmonic + 3rd harmonic =
composite wave
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Ohm's Law
Because the auditory system does a Fourier analysis on complex tones, we are aware of each of the simple tones
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Timbre
Our perception of complexity
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Timbre is created by the kind and number of;
overtones
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Rich, full sounds (violin, voice) have;
many overtones or harmonics
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Pure, thin sounds (flute) have;
few overtones
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Phase
- The reletive position of two or more sine waves
- physical
- means where the wave is in compression - rare fraction cycle
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In-phase:
Peaks occure at the same time (troughs)
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Out of phase:
occur at different time
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Noise Cancellation
- Destructive interference
- Sound waves can cancel each other out if they are 180 degrees out of phase
- Cars and cell phones are doing this
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Resonant Frequency
- The frequency with which an object vibrates when hit
- Knocking on the body of a cello (strings start to vibrate)
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Because of Resonant Frequency an object:
will begin to vibrate if a sound wave matching the object's resonant frequency travels close to the object = resonant
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Pinna
The outer funnel-like part of the ear
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Ear Canal
The canal that conducts sound vibrations from the pinnato the tympanic membrane and prevents damage to the tympanic membrane
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Tympanic membrane
- The eardrum
- A thin sheet of skin at the end of the outer ear canal.
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The tympanic membrane vibrates;
in response to sound
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Outer ear
the external sound gathering portion of the ear, consisting of the pinna and the ear canal
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Middle Ear
an air filled chamber containing the middle bones or ossicles
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The middle ear conveys and amplifies
vibration from the tympanic membrane to the oval window
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Ossicles
Three tiny bones of the middle ear; malleus, incus, and stapes
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Malleus
- one of the ossicles
- Receives vibration from the tympanic mem. and is attached to the incus
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Incus
- The middle ossicle
- Connects the malleus and stapes
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Stapes
Connected to the incus on one end, the stapes presses against the oval window of the cochlea on the other end
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Oval Window
The flexible opening to the cochlea through which the stapes transmits vibration to the fluid inside
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Inner ear
A hollow cavity in the temporal bone of the skull and the structures within this cavity: the cochlea and vestibular canals
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Tensor Tympani
the muscle attached to the malleus
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Tensing the tensor tympani;
decreases vibration
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Stapedius
- The muscle attached to the stapes
- tensing this muscle decreases vibration
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Acoustic reflex
A reflex that protects the ear fromintense sounds, via contrasction of the stapedeus and tensor tympani muscles
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Cochlea
A spiral structure of the inner ear containing the oran of corti
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Tympanic Canal
- One of three fluid filled passages in the cochlea.
- It extends from the round window at the base o the cochlea to the helicotrema at the apex
- Also called scala tympani
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Vestibular Canal
- one of three fluid filled passages in the cochlea
- Extends from the oval window to the helicotrama at the apex
- Scala Vestibula
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Middle Canal
- One of three fluid filled passages in the cochlea
- Is sandwiched between the tympanic and vestibular canals and contains the cochlear partition
- Scala Media
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Helicotrema
The opening that connects the tympanic and vestibular canals at the apex of the cochlea
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Reissner's Membrane
A thin sheat of tissue separating the vestibular and middle canals in the cochlea
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Basilar Membrane
A plate of fibers that forms the base of the cochlear partition and separates the middle and tympanic canals in the cochlea
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Cochlear Partition
the combines basilar membrane, tectorial membrane, and organ of corti, which are together responsible for the transduction of sound waves into neural signals
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On top of the Basilar mem. is the
organ of corti
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Hair Cells
- Transduce mechanical movement in the cochlea in to neural activity
- 3500 inner cells and 10,500 outer hair cells
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95% of auditory nerve cells connect with;
inner hair cells
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Inner hair cells are;
Afferent (sending)
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Outer hair cells are;
Efferent (receiving)
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Function of Outer hair cells
- Sharpen information sent by inner cells (receive info. about which frequencies need to be heightened or amplified)
- Amplifies sounds
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Otoacoustic Emissions
- Sound produced just by your ear, nothing else.
- Can be used to test newborn's hearing
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Hair cells are tuned to specific frequencies called;
Tonotopically organized
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Place Theory
- Hair cells are tonotopically organized on basilar membrane
- Low frequencies cause maximal displacement furthest from the oval window (apex)
- High frequencies cause max displacement closest to oval window (base)
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How he determined place theory
he got cochlea from fresh cadavers and cut windows in it, played tones to see if basilar mem. moved - high frequencies
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Place Theory has to do with;
intensity
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The lower the sound,
the less likely it will be to be a crisp sound
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Problem with place theory
dont see nice neat traveling waves for low frequency sounds
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Temporal Code theory mainly deals with;
Time
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Temporal Code theory
Frequency of sound is coded by how many times auditory neurons fire
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Phase locking
Firing of a single neuron at one distinct point in the cycle of a sound wave
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Problem with Temporal Code Theory
- There arent enough hair cells to be tuned for all frequencies
- Nerve cells can only fire up to 1000 times
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Solution to Temporal code theory
- Cells work in groups to code frequency
- Look at total output of group of cells to determine frequency of sound
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Temporal Theory summary
- Frequency coded by the sum of action potentials produced by a group of cells
- Amplitude coded by determining how many cells in that group are firing at the same time
- The more cells firing means the louder the sound
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Cooperation of Place and Temporal Code theory
- High frequencies: place theory (above 3000Hz)
- Low frequencies: temp. theory (below 1000 Hz)
- Between 1000 and 3000 Hz: both theories work
- Both theories say the same thing about amplitude
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Threshold Tuning Curve
A map plotting the thresholds of a neuron or fiber in response to sine waves with varying frequencies at the lowest intensity that will give rise to a response
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Volley principle
An idea stating that multiple neurons can provide a temporal code for frequency if each neuron fires at a distinct point in the period of a sound wave but doesnt fire on every period
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Cochlear Nucleus
the first brain stem nucleus at which afferent auditory nerve fibers synapse
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Superior Olive
an early brain stem region in the auditory pathway where inputs from both ears converge
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Medial Geniculate Nucleus
the part of the thalamus that relays auditory signals to the temporal cortex and receives input from the auditory cortex
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Tonotopic Organization
an arrangement in which neurons that respond to different frequencies are organized anatomically in order of frequency
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Conductive hearing loss
hearing loss caused by problems with the bones of the middle ear
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Otitis Media
inflammation of the middle ear, commonly in children as a result of infection
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Otosclerosis
abnormal growth of the middle ear bones that causes hearing loss
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Ototoxic
producing adverse effects on organs or nerves ivolved in hearing or balance
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