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- Maesta 1308-1311
- Duccio
- Siena
- originally a free standing altarpiece
- predella: found at the bottom of the panel, additional scenes; visual buffer between altar and the main image
- all of Siena's principal saints are represented
- SIENA: all about visual oppulence
- shows scenes from the passion of christ
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- Entry into Jerusalem
- Maesta
- 1308-1311
- Duccio
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- Annunciation 1333
- Simone Martini
- made for the altar of St. Ansanus in Siena Cathedral
- narrative scene
- not in the original frame
- very expensive, covered in gold leaf
- has an inscription made from gesso and gold
- very intricate halos
- oppulence, rich materials rich colors
- holding an olive branch
- white lilies = virginal mary
- uses a tool to create the indentions
- saints are holding palm leaves: marks martyrdom
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- Effects of Good Government in the City and in the Country
- Ambrogio Lorenzetti
- 1338-1340
- seperated into two images
- teacher teaching a class
- city activities: all allegorical
- beautiful hills in the countryside
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- Reliquary Bust of San Gennaro 1304
- 3 French Goldsmiths
- Naples Cathedral
- houses the cranial relic of San Gennaro
- patron saint of Naples
- gold jewels, and enamel
- Commissioned: Charles II of Anjou
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- Altarpiece of St.Louis of ToulouseSimone Martini
- 1319
- Commissioned: King Robert of Anjou
- shows the legitimacy of Robert's rule
- wearing a robe of great finery but underneath is the Franciscan garb
- places crown on Robert's head
- predella: scenes from the life of Louis Toulouse
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- Santa Maria DonnareginaNaples
- 1307
- founded by Queen Mary of Hungary(wife of Charles II Anjou)
- became a Poor Clares Convent
- pointed gothic arches
- polyginal apse with french gothic windows
- single nave no side aisles
- there is a nuns choir
- Queen Mary is buried here
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- Tomb of Mary of Hungary
- Gagliardo Primario and Tino da Camaino
- Santa Maria Donnaregina, Naples
- 1325
- marble
- wall tombs are more prestigious
- she is shown twice, in death and in kneeling
- her seven sons are depicted
- Louis Toulouse is in the middle
- blue enamel tiles and gold tiles behind the boys
- angels in the front
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- Pala d'Oro (Golden Altarpiece) San Marco, Venice
- 1345
- restored and embellished by the Doge
- Doge: Andrea Dandolo
- gold and enamel
- was intended to hang in front of altar
- very very expensive
- central image: christ enthroned
- surrounded by the 4 evangelists
- honors st. mark christ and the city of venice
- Pala Feriale: daily altarpiece
-
- Rediscovery of the Relic of St. MarkPaolo Veneziano and Sons
- 1345
- San Marco, Venice
- doge: wears a red hat
- connects the saints story to the story of the church
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- Bapistery
- 1342-1354
- San Marco, Venice
- Commissioned: Doge Andrea Dandolo
- apostles are baptizing
- scenes of the life of john the baptist
- Andrea Dandolo is buried here
- comparable to the tomb of Mary of hungary
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- Doge's Palace
- 1340-1438
- Venice
- gothic and islamic influences
- does not have a tower
- very ornate and decorative
- quatrefoils and brick work pretty crenelations
- not concerned with being attacked
- east to defend because of water location
- venice is married to the sea
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- Triumph of Death 1330's
- Master of the Triumph of death
- Camposanto, Pisa
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- Last Judgement 1330's
- Master of the Triumph of Death
- Camposanto, Pisa
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- Nardo di Cione & AndreaOrcagna
- Strozzi Chapel
- c. 1355
- Santa Maria Novella, Florence
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- Andrea Orcagna,
- Strozzi Altarpiece,
- 1354-57,
- Strozzi Chapel
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- Andrea Bonaiuti,
- Apotheosis of St. Thomas Aquinas (Allegory of Christian Learning)
- c. 1365-67,
- Guidalotti Chapel,
- Santa Maria Novella, Florence
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